Numéro Cinq

Vol. III, No. 12, December 2012

• Calculust: A Mathematical Romance — Jonah Glover
• Keep the Change: Fiction — William Gillespie
• A Short Sad Story: Essay — Sydney Lea
• Thou Beside Me Singing: The April Poems — Leon Rooke
• A Cut: Fiction — Quim Monzo
• Ship of Fools: A Review of Quim Monzo’s A Thousand Morons — Richard Farrell
• Numéro Cinq at the Movies: Ekaterina Vorobyeva’s “Entire World is Mine,” Introduced by R. W. Gray
• Numéro Cinq at the Movies: Andreas Pasvantis’s “December,” Introduced by R. W. Gray
• Shaken Not Stirred, The Author Who Invented James Bond — Steven Axelrod
• The Two Trees, Very Small Works: Woodcuts — Mary Kathryn Jablonski
• My Father’s Artificial Hip, A Cherokee Marble & Other Writing Aids: An Interview with George Singleton—Jason DeYoung
• Without Pedigree: A Review of George Singleton’s Stray Decorum — Jason DeYoung
• Deadlift: Poems — Sharon McCartney
• Limits of Light: Photographs — John Solaperto
• Gare du Nord: Fiction — Donald Breckenridge

Vol. III, No. 11, November 2012

• It’s About Orgasm; It’s Not About A Musk Ox: Interview with Former U.S. Poet Laureate Donald Hall — Anne Loecher
• Who Am I? What the Lowly Riddle Reveals — Julie Larios
• The Pitch: Drawing — China Marks
• Late: Video Poem — Elise Levine
• On a Writer Dying Young: Essay — Richard Farrell
• The Perfume Trees of Arkansas: Fiction — Garry Craig Powell
• at risk or at least? Poems by Nicole Markotić — With an Afterword on her Poetics by Tammy Armstrong
• Numéro Cinq at the Movies: Guy Ritchie’s “Un Rendez Vous” Introduced by Jon Dewar
• At the Bottom of Memory: Video & Installation by Joanne Lyons — Introduced by Kim Aubrey
• The Divine Imagination: Sermon — Hilary Mullins
• Herbert Marcuse: Believing in Ghosts As a Way Toward Philosophy — Jacob Glover
• The Love Gap: Review of Emily Perkins’ The Forrests — Erin Stagg

Vol. III, No. 10, October 2012

• Mountain Visions and Imaginative Usurpations: Essay — Patrick J. Keane
• Angel on Fire: The Gothic World of Sophie’s Choice — Mary Rickert
• Fucked up and Beautiful: Review of Shane Jones’ Daniel Fights a Hurricane — Jason DeYoung
• The Box Does Not Need To Be Square: An Interview with Todd Bartel — Nance Van Winckel
• Books Made of Paper: Essay — Fleda Brown
• Your Dog Makes Me Smile: Fiction — Caroline Adderson
• Numéro Cinq at the Movies: Adrián Cardona, Rafa Dengrá, & David Muñoz’s Brutal Relaxation  — Jared Carney
• Even the Done: Poems — Micheline Maylor
• Highs and Lows on the Bay of Fundy: Photographs — Natalia Sarkissian
• The Boundless Chaos of Living Speech: A Homophonic Translation by Hugh Thomas & an Essay by Sarah Bernstein
• Fire & Ice: Photographs — Roger Crowley
• A Fable: Poem — David Helwig
• Blessed With Memory: A Review of Richard Ford’s Canada — Benjamin Woodard

Vol. III, No. 9, September  2012

• A Poetry of Petition: W. B. Yeats’s “The Stare’s Nest by my Window” and Derek Mahon’s “A Disused Shed in Co. Wexford” — Patrick J. Keane
• Big Texas Sky: Composing an Album — Darryl Gregory
• A Message for the Emperor: Fiction — Mark Frutkin
• Childhood — Tom Bauer
• Into the Looking Glass: Memoir — Christy L. Clothier
• Tragically Disproportionate: A Review of Jon McGregor’s This isn’t the Sort of Thing that Happens to Someone Like You — Debra Martens
• Stray Dog Poetics: Poems by Shane Rhodes With an Afterword by Rob Ross
• The Madman and the Seismograph: From Braided Worlds — Alma Gottlieb & Philip Graham
• Numéro Cinq at the Movies: Abbas Kiarostami’s “Where is my Romeo?” Introduced by R. W. Gray
• White Shirts: Essay — Sophfronia Scott
• After this/ I lead you into form: Poems — Gerard Beirne
• The Journey Home: Music In Remembrance — Diane Moser
• Numéro Cinq at the Movies: Lucrecia Martel’s “Pescados” Introduced by Sophie M. Lavoie
• Becoming a Poet: A Way to Know — Sydney Lea
• Bushwacked by Inspiration: An Interview with Steven Heighton — Richard Farrell
• Unmeasured Depths: A Review of Steven Heighton’s The Dead Are More Visible — Richard Farrell

Vol. III, No. 8, August 2012

• The Diplomat: Fiction — Christy Ann Conlin
• Sometimes It Is, Sometimes It Isn’t: Fiction — Robert Day
• Picture Me Awake: Poems — Rigoberto González
• The Senses of an Ending: The Grapes of Wrath, Novel and Film — Patrick J. Keane
• David Grossman’s See Under: Love — Jacob Paul
• Healing Waters: Memoir — Harry Marten
• How to Write an Essay — Garry Craig Powell
• Numéro Cinq at the Movies: Jamie Travis’s “The Saddest Boy in the World,” introduced by R W Gray
• Les Amazones: Fiction — Josée Marcotte
• The sound of me stepping on a poem one Monday afternoon: Poems & Images — Ray Hsu
• Bonjour & the Violet Ox: The French Song — Jonah & Jacob Glover
• Building the Maddening Dream: Techniques for Constructing & Conveying Fictional Worlds — Jacqueline Kharouf
• What It’s Like Living Here — from Tiara Winter-Schorr in Manhattan
• Getting Carried Away: Memoir — David Carpenter
• Revisiting Tahrir Square: Photographs & Text — Natalia Sarkissian
• Numéro Cinq at the Movies: Wong Kar Wai’s “Chungking Express,” introduced by R W Gray
• Roboterinner Lied & The House my Grandfather Built: Original Music — Ariane Miyasaki
• Leaving the Zoo: A Fictional Memoir — Patrick J. Keane

Vol. III, No. 7, July  2012

• Antarctica: Paintings — Laura Von Rosk
• One Good Hustle: Fiction — Billie Livingston
• Unwrapping Miss Frost: Time & Structure in John Irving’s In One Person — Jacob Glover
• Kate O’Rourke, Virginia Woolf, Samuel Beckett: Wait & Party — Nonfiction by Michael Bryson
• Flirting With Disaster: Aphorisms — Yahia Lababidi
• Numéro Cinq at the Movies: Bryn Chainey’s film for Alcoholic Faith Mission’s “Legacy,” introduced by R W Gray
• Bird Nights: Fiction — Jane Eaton Hamilton
• Je vous présente Véronique: des nouvelles — Gilles Pellerin
• Of Chess & Novels: Interview with Jennifer duBois — Rimas Blekaitis
• Unfolded: Fiction — Sheridan Hay
• Autoportrait: Nonfiction — Edouard Levé
• The Death of Sophistication: A Review of Edouard Levé’s Autoportrait — Jason DeYoung
• It’s All Demons! Horror & Art: An Interview With Susie Moloney — Billie Livingston
• Numéro Cinq at the Movies: Alexander Payne’s “14e Arrondissement,” introduced by R W Gray
• Fault Lines: Fiction — Gerard Beirne
• The Hit, The Film & The Novel — Russell Working (Writer, Actor, Director, Producer)
• The Words Were Said: Poems by Louise Lévêque de Vilmorin — Translated by Marilyn McCabe

Vol. III, No. 6, June 2012

• Sacred Connections: A mixed media installation by Elizabeth Babyn — Introduced by Kim Aubrey
• In Caddis Wood: Fiction — Mary François Rockcastle
• Whipping Post & Behind Blue Eyes: Jazz Piano — John Nazarenko
• My Lives Among the Stars: Fiction — Lawrence Sutin
• Numéro Cinq at the Movies: The Goldfish in Miranda July’s “Me and You and Everyone We Know,” introduced by R W Gray
• Gauteng and the Cape Peninsula: Encountering South Africa — Natalia Sarkissian
• Black Boxes: On Reading Jennifer Egan’s Twitter Story — Bruce Stone
• The Man With No Name Rides Into The Classroom: A Review of Detachment — Richard Hartshorn
• Women Who Smoke: Fiction — Sybil Baker
• What It’s Like Living Here — From Lisa Roney in Orlando
• The Battleship of Maine: Nonfiction — Jordan Smith
• Tweet rebelle de @pierrepaulplau: Twitterature — Jean-Yves Fréchette
• Vee: Fiction — T. Greenwood
• Numéro Cinq at the Movies: Roman Polanski’s “A Therapy,” introduced by R W Gray
• Escape and Escapism: The Jane Whitefield Novels of Thomas Perry — Steven Axelrod
• The Science of Writing: An Interview with Nick Arvin — Jacqueline Kharouf
• The Valley of the Shadow: Fiction — dee Hobsbawn-Smith

Vol. III, No. 5, May 2012

• Capturing the Equivalences: Interview With Translator Steve Dolph — Richard Farrell
• Scars: Fiction — Juan José Saer
• Desperate Wagers: A Review of Scars by Juan José Saer — Richard Farrell
• What It’s Like Living Here — From Jennifer McGuiggan in Greensburg, PA
• Numéro Cinq at the Movies: Johan Renck’s “Pass This On,” Introduced by R W Gray
• The Goodtime Girl: Fiction — Tess Fragoulis
• Paris Street Live: Photographs — Mark Lavorato
• Of Flowers & Of Fire: Poems — Emily Pulfer-Terino
• What It’s Like Living Here — from Vanessa Blakeslee in Maitland, Florida
• Constructed Spaces: Paintings by Christina Hutchings — Introduced by Kim Aubrey
• Sanctuary from Cliché: A Review of Geoff Dyer’s Zona — Jason DeYoung
• La Danse from Karibu: Jazz Piano — Elizabeth Woodbury Kasius & Heard
• Numéro Cinq at the Movies: Eddie White and Ari Gibson’s “The Cat Piano,” Introduced by Jon Dewar
• Happiness: A Poem — Mark Lavorato
• Letter from Taos: Cowgirls Ride the Trail of Truth — Jean-Marie Saporito
• Heidegger, Floss, Elfride, and the Cat: Fiction — Leon Rooke
• An Awesome Proposal: Nonfiction — Bruce Hiscock
• Numéro Cinq at the Movies: Isabella Rossellini’s “Seduce Me: Noah’s Ark,” introduced by R. W. Gray
• The Lights of Henderson: Fiction — Martha Petersen
• On the Suicides at the NY/Canada Border & Other Poems — Jordan Smith
• What It’s Like Living Here — Wendy Voorsanger in San Mateo

Vol. III, No. 4, April 2012

• The Jailed Wizards: A Tale — Mike Barnes
• From The Secret Life of Objects: Memoir — Dawn Raffel
• Numéro Cinq at the Movies: This Is It Collective’s “Don’t Hug Me I’m Scared” — Introduced by R. W. Gray
• Into the Realm of the Dark: Nonfiction — Richard Farrell
• The Ice Man Experience: Sculpture & Words by Tyler & Jack Hodgins
• The Resurrection of Experience: A Review of Andrzej Stasiuk’s Dukla — Jason DeYoung
• Rite of Spring: Essay from Dukla — Andrzej Stasiuk
• Numéro Cinq at the Movies: Jamie Travis’s “Seven Sins: Greed” — Introduced by R. W. Gray
• We Are Meat Machines: Meditation on Death & Dying — Brianna Berbenuik
• Iphigénie en Haute-Ville: Roman de François Blais
• Disappearing Bodies: Paintings — Levi Nicholat
• Letter from Bolivia: Carnaval de Oruro — Diane Lefer
• The Artist: Short Story — Lindsay Norville
• Numéro Cinq at the Movies: Everynone’s “Words,” Introduced by R. W. Gray
• The End of the Story: Fiction — Liliana Heker
• A Nation Plays Chopsticks: Short Fiction — Mark Anthony Jarman
• Crash: Short Fiction — Adrienne Love
• Numéro Cinq at the (So Bad They’re Good) Movies: Godfrey Ho’s “Catman in Boxer’s Blow,” Introduced by Megan MacKay
• Carnival of the Imagination: Interview with Gladys Swan — Joyce Townsend
• How To Write A Novel — Douglas Glover
• The Essay As An Open Field — Robert Vivian
• Two Selves Divided: Poems — Marilyn McCabe
• At Work in the Fields of the Bulwer-Lytton: Short Story — Bill Gaston

Vol. III, No. 3, March 2012

• Dancing with the Sacred: Nonfiction by Phyllis Barber
• Numéro Cinq at the Movies: Lucrecia Martel’s “Muta,” introduced by Sophie Lavoie
• Imagined Places: Drawings by Ilyana Martinez — Introduced by Kim Aubrey
• The Untitled (91): Poem — Garry Thomas Morse
• The Raid: Fiction by Eugene K. Garber
• When Bright Faith Dissolves: Essay & Mandala — Laura Catherine Brown
• Letter From Bolivia: Days and Nights in Cochabamba — Diane Lefer
• Numéro Cinq at the Movies: Jamie Travis’s “The Armoire,” introduced by R. W. Gray
• A Man Walks Into A Bar: Fiction by Kate Reuther
• Lonely Oceans: Poems — Gary Moore
• The Madness of Architecture —The Architecture of Madness: Fiction by Svetislav Basara
• Structuring Madness: Notes Toward an Understanding of Svetislav Basara — Taylor Davis-Van Atta
• Naguib Mahfouz, Palace Walk, and Old Cairo: Natalia Sarkissian
• Numéro Cinq at the Movies: Chris Russell’s “Zombie in a Penguin Suit,” introduced by Jon Dewar
• Pho-toems: Nance Van Winckel
• Unskunked: An Essay — Sydney Lea
• Let Us Be Silent Here: Poems in English and Spanish — John B. Lee/Manuel de Jesus Velázquez Léon
• The Voice of Solitude: A Review Of Kjersti Skomsvold’s The Faster I Walk, The Smaller I Am — Mary Stein
• Numéro Cinq at the Movies: Erika Janunger’s “Weightless,” introduced by R. W. Gray
• Tracks: An Italian Memoir — Genni Gunn
• What It’s like Living Here — from Erin Stagg in New Zealand
• Le lit de Procuste: des nouvelles par Gilles Pellerin
• Readiness Practice: A Poem by Kate Fetherston
• Numéro Cinq at the Movies: Rodrigo Gudiño and Vincent Marcone’s “The Facts in the Case of Mr Hollow,” introduced by R. W. Gray

Vol. III, No. 2, February 2012

• Professor O’Blivion Rides Again: Essay — Noah Gataveckas
• The Road: Fiction — David Helwig
• Double Exposure: Interview with Darin Strauss — Richard Farrell
• The Un-creation of the Wor(l)d: Conceptual Poetry as Kabbalistic Trope — Adeena Karasick
• Numéro Cinq at the Movies: Nicholas Humphries’s “The One That Got Away,” Introduced by R. W. Gray
• We Are All From The Camps: A Review of Oksana Zabuzhko’s Fieldwork in Ukrainian Sex — Brianna Berbenuik
• A Map of the Invisible: Paintings — Gladys Swan
• Une Ruine Coquille Vide By Paul Éluard, Music by Poulenc, Sung (& Translated) by Marilyn McCabe
• Numéro Cinq at the Movies: Amorous Delays, Cyborg Women, Writing, and Traveling Trains of Longing — R. W. Gray
• The Columbus Syndrome Redux: Essay — Robin Hemley
• Human Resources: Fiction — Connie Gault
• On Courage: Essay — Richard Farrell
• Numéro Cinq at the Movies: Toby MacDonald’s “Je t’aime John Wayne,” Introduced by Jon Dewar
• Chiaroscuro: A Memoir — Patrick J. Keane
• Sketches of an Orange: A Prose Poem — R. W. Gray
• Moonlit Memories of Immature Genius — Mary Ruefle
• We’ve All Gone to Look for America: Memoir — Samantha Bernstein
• Numéro Cinq at the Movies: Ang Lee’s “The Chosen,” Introduced by R. W. Gray
• Blue Clouds: Fiction — Cynthia Flood

Vol. III, No. 1, January 2012

• A&S and Elaine! — Poems by Douglas Goetsch
• The Orange Bird: A Story by Gladys Swan
• Hallway Snowstorm: A Very Short Story by Mark Anthony Jarman
• Numéro Cinq at the Movies: Alicia Duffy’s “The Most Beautiful Man in the World,” introduced by R. W. Gray
• This Poem, Part II, by Adeena Karasick
• The Place of Wendell Berry: Nature Writing in America — Adam Regn Arvidson
• Mark, a play by Lynn Coady
• What It’s Like Living Here, from Liam Volke in Victoria, British Columbia
• The Parkinson’s Diaries, by Steven Axelrod
• Numéro Cinq at the Movies: Tom Tykwer’s “Faubourg Saint-Denis,” introduced by R. W. Gray
• Letter from Taos: Too Horrible, Too Beautiful — Jean-Marie Saporito
• My Search for Jesus Hardwell, Profile & Interview by Ian Colford
• Thoughts on the Meditative Essay: Robert Vivian
• Poems from Jorge Carrera Andrade’s Micrograms
• Manufacturing Dreams: An Interview with Anthony Doerr
• From “The Deep” by Anthony Doerr
• Prayers & Dreams: Poems by Denise Evans Durkin
• Turbulence: Paintings by Anne Diggory
• A Bargain, a short story by Dave Margoshes
• Cave Diving With Einstein, Poems by Laura Behr
• Numéro Cinq at the Movies: Wong Kar Wai’s “There’s Only One Sun,” introduced by R. W. Gray
• Letter from Paris: Life Lessons in Père Lachaise Cemetery — Sion Dayson
• The Mind’s Eye – Character Thought in Fiction, by Erin Stagg

Numéro Cinq’s unique and unparalleled collection of short films and commentary edited and (mostly) written by R. W. Gray. Other contributions from Jon Dewar, Douglas Glover, Sophie Lavoie, Philip Marchand, Megan MacKay, Jared Carney, Erin Morton, Julie Trimingham, Michael V. Smith, Nicholas Humphries, and Taryn Sirove.

• Numéro Cinq at the Movies: Bison’s film for Bonobo’s “Kerala,” by R. W. Gray
• Ruth Meehan’s Short Film And the Red Man Went Green by R. W. Gray
• Jane Campion’s Passionless Moments by R. W. Gray
• Miranda July and Miguel Arteta’s Are You the Favourite Person of Anybody? by R. W. Gray
• Trevor Anderson’s The Island by R. W. Gray
• Jan Kounen’s The Story of Panshin Beka by R. W. Gray
• Andres Muschietti’s Mama by R. W. Gray
• Spencer Susser’s I Love Sarah Jane by R. W. Gray
• Julie Trimingham’s film triptych beauty crowds me by R. W. Gray
• Chris Milk’s Who’s Gonna Save My Soul by R. W. Gray
• John Bolton’s Breakdown by R. W. Gray

• Chris Milk’s The Wilderness Downtown by R. W. Gray
• Jane Campion’s The Water Diary by R. W. Gray
• Pedro Pires’s Danse Macabre by R. W. Gray
• Jason Eisener’s Treevenge by R. W. Gray
• John Cage’s 4′33” by Douglas Glover
• Tainted Success and the Heroes of Martin Scorsese by Philip Marchand
• Wong Kar Wai’s There’s Only One Sun by R. W. Gray
• Tom Tykwer’s Faubourg Saint-Denis by R. W. Gray
• Alicia Duffy’s The Most Beautiful Man in the World by R. W. Gray
• Ang Lee’s The Chosen by R. W. Gray

• Toby MacDonald’s Je t’aime John Wayne by Jon Dewar
• Amorous Delays, Cyborg Women, Writing, and Traveling Trains of Longing by R. W. Gray
• Nicholas Humphries’s The One That Got Away by R. W. Gray
• Rodrigo Gudiño and Vincent Marcone’s The Facts in the Case of Mr Hollow by R. W. Gray
• Erika Janunger’s Weightless by R. W. Gray
• Chris Russell’s Zombie in a Penguin Suit by Jon Dewar
• Jamie Travis’s The Armoire by R. W. Gray
• This Is It Collective’s Don’t Hug Me I’m Scared by R. W. Gray
• Lucrecia Martel’s Muta by Sophie Lavoie
• Godfrey Ho’s Catman in Boxer’s Blow by Megan MacKay

• Jamie Travis’s Seven Sins: Greed by R. W. Gray
• Everynone’s Words by R. W. Gray
• Isabella Rossellini’s Seduce Me: Noah’s Ark by R. W. Gray
• Eddie White and Ari Gibson’s The Cat Piano by Jon Dewar
• Johan Renck’s Pass This On by R. W. Gray
• The Hit, The Film & The Novel — Russell Working (Writer, Actor, Director, Producer) by Douglas Glover
• The goldfish in Miranda July’s Me and You and Everyone We Know by R. W. Gray
• Roman Polanski’s A Therapy by R. W. Gray
• Alexander Payne’s 14e Arrondissement by R. W. Gray
• Bryn Chainey’s film for Alcoholic Faith Mission’s Legacy by R. W. Gray

• Wong Kar Wai’s Chungking Express by R. W. Gray
• Jamie Travis’s The Saddest Boy in the World by R. W. Gray
• Lucrecia Martel’s Pescados by Sophie M. Lavoie
• Abbas Kiarostami’s Where is my Romeo? by R. W. Gray
• Adrián Cardona, Rafa Dengrá & David Muñoz’s Brutal Relaxation by Jared Carney
• Guy Ritchie’s Un Rendez Vous by Jon Dewar
• Ekaterina Vorobyeva’s Entire World is Mine by R. W. Gray
• Andreas Pasvantis’s December by R. W. Gray
• Nicholas Humphries and Meagan Hotz’s Little Mermaid by Nicholas Humphries
• Alice Winocour’s Kitchen by R. W. Gray

• Igloolik Isuma Productions and Félix Lajeunesse & Paul Raphaël’s Tungijug: What We Eat by Erin Morton and Taryn Sirove
• Woodkid’s I Love You by R. W. Gray
• Wes Anderson’s Hotel Chevalier by R. W. Gray
• Zombie Longings: Bruce LaBruce’s Otto, or Up With Dead People by R. W. Gray
• Daryl Wein’s Unlocked by R. W. Gray
• Dash Shaw’s Seraph by Nicholas Humphries
• Love at First Sight, or The Problem of Beginnings by R. W. Gray
• Ryan McGinley’s Varud by R. W. Gray
• David Cronenberg’s Camera by Jon Dewar
• Denis Villeneuve’s Next Floor by Jared Carney

• Alexander Carson’s We Refuse to be Cold by R. W. Gray
• Patrice Leconte’s Girl on a Bridge by R. W. Gray
• Michael Venus’s Parasite Single’s “The Hunt” by R. W. Gray
• Matthew Brown’s Mother’s Song by R. W. Gray
• Ryan Cockrell’s Fishhooks | Introduction & Interview by R. W. Gray
• The Full Monty: Notes on Narrative Form — Douglas Glover
• David Cho’s Where We Are by R. W. Gray
• Justin Anderson’s Jumper by R. W. Gray
• What I Make of Movies, and What They Make of Me: Rosebud by Julie Trimingham
• What I Make of Movies, and What They Make of Me: The Horror by Julie Trimingham

• What I Make of Movies, and What They Make of Me: Raising Hell by Julie Trimingham
• Four Weddings and a Funeral: Notes on Narrative Form by Douglas Glover
• Beauty, Travel, and Death in Paolo Sorrentino’s The Great Beauty by R. W. Gray
• Awe, Wonder & the Sublime in Filippo Baraccani’s The Approximate Present by R. W. Gray
• Lucrecia Martel’s La ciudad que huye by Sophie M. Lavoie
• Numéro Cinq at the Movies: Eugene Green’s Le Pont des Arts by R. W. Gray
• Wong Kar Wai’s Secrets, or My Sense of an Ending by  R. W. Gray
• Lisa Gunning’s Tales of Us by R. W. Gray
• Roy Andersson’s World of Glory by R. W. Gray
• Roman Coppola and Wes Anderson’s Candy by R. W. Gray

• Grasshoppers & Tiny Doors: Directors Jared Carney and Nicholas Humphries On Horror
• Sofia Coppola’s Lick the Star by R. W. Gray
• Temujin Doran’s Sum by R. W. Gray
• hitRECord’s Adieu by R. W. Gray
• Darwin Serink’s ABAN + KHORSHID by R. W. Gray
• James W. Griffiths’s Room 8 by R. W. Gray
• Yulia Mahr’s Path 5 (delta) by R. W. Gray
• R.W. Gray’s zack & luc | Introduction & Interview by Michael V. Smith
• Michael V. Smith’s Wolf Lake by R. W. Gray
• Vincent Haycock’s What Kind of Man by R. W. Gray
• Jon Dewar’s Hypothermia | Introduction & Interview by Matt Rogers
• Inga Birgisdóttir’s “Varúð” by R. W. Gray
• Scott Cudmore’s film for Wintersleep’s “Amerika” by Sophie Lavoie
• Ringan Ledwidge’s Film for Massive Attack’s Voodoo in My Blood by R. W. Gray
• R. W. Gray’s Aidos