2014

Vol. V, No. 12, December 2014

• Numéro Cinq at the Movies | What I Make of Movies, and What They Make of Me: Raising Hell — Julie Trimingham
• In the Palm Garden: Review of W. S Merwin’s The Moon before Morning — A. Anupama
• Willingly: Photographs — Jowita Bydlowska
• Lovingly Damaged Language: A Review of Lisa Robertson’s Cinema of the Present — Natalie Helberg
• Uimhir a Cúig | Déjà Vu: Fiction — Mary Morrissy
• Grave & Vital Nonsense: Poems — Lise Gaston
• Natural Supernaturalism: Emily Dickinson’s Variations on the Romantic Theme of an Earthly Paradise — Patrick J. Keane
• Emotion of Multitudes: Subplots in Novels — Shambhavi Roy
• The Impossible Economy of Rilke’s Roses: An Interview with Translator David Need — Dan Holmes
• From Roses by Rainer Maria Rilke — Translated by David Need
• A Rapid Fire Life: Review of Nell Zink’s The Wallcreeper — Benjamin Woodard
• Assembly + Departure: Text Art — Chaulky White
• Hot: Short Story — Adrienne Love

Vol. V, No. 11, November 2014

• Numéro Cinq at the Movies | What I Make of Movies, and What They Make of Me: The Horror — Julie Trimingham
• Exempt from the Fang: Short Story — Mark Anthony Jarman
• Chance Encounters of a Literary Kind: Dave Smith — Robert Day
• Through a Glass Darkly: Mirror Scenes in Contemporary Scandinavian Detective Fiction — Warren Motte
• Hyperrealism in Words: Lisa Moore and the Ethics of Intensity — Maria Jesús Hernáez Lerena
• Undersung | Alastair Reid: A Sunstruck Madman — Julie Larios
• Traveling the Inner Reaches: Review of It Will End with Us by Sam Savage — Jeff Bursey
• FPS: Fiction — Bruce Stone
• The Art of the Long Sentence — Frank Richardson
• The Duel: A Russian Story — Myler Wilkinson
• These Fictions, These Banalities: Review of Nicola, Milan by Lodovico Pignatti Morano — Charlie Geoghegan-Clements
• Radical Amazement: Art & Thought of Paul Sattler — Mary Kathryn Jablonski
• Uimhir a Cúig | Route: Fiction — Belinda McKeon
• The Deathtube: Essay — Fernando Sdrigotti
• Metanoia: Poem — Sharon McCartney
• Days of Hunger: Essay — Rigoberto González
• First Solo: Memoir — Richard Farrell

Vol. V, No. 10, October 2014

• Numéro Cinq at the Movies | What I Make of Movies, and What They Make of Me: Rosebud — Julie Trimingham
• Chemistry: Fiction — Benjamin Woodard
• From A Tabby-cat’s Tale: Fiction — Han Dong
• Talking With Animals/Speech Without Words: Review of Han Dong’s A Tabby-cat’s Tale — Melissa Armstrong
• Hand in Glove: The Poetic Collaborations of Kim Maltman & Roo Borson — Ann Ireland
• Ensnared in the Riddle of Their Doubleness: Review of F by Daniel Kehlmann — Jason DeYoung
• Back Spin: Fiction — Timothy Dugdale
• No Consequence: A Poem For Goran Simić — Sydney Lea
• All We Have Left: A Bosnian Journey — Thomas Simpson
• Wind in the Straitjacket: Poem Translated from the Bosnian — Goran Simić
• Plato, Heidegger, Kant & Habermas Play Pass the Parcel: Poiesis and the Philosophy of Art-Creation | Essay — Samuel Stolton
• Postmodern Has-beens and Gail Scott’s Will Have Beens: Reading The Obituary — Natalie Helberg
• What Is The Storyteller Going To Tell you? | Andrew Salgado: Art & Interview — JC Olsthoorn
• Fishing Poems: Memoir & Poems — Karen Mulhallen
• Wind in the Birch Trees: Review of Haruki Murakami’s Colorless Tsukuru Tazaki and His Years of Pilgrimage — Steven Axelrod
• Uimhir a Cúig |Like A Rolling Stone: Irish Language Literature and Art in a Modern Cultural Context — Liam Carson
• Nights in the Tractorbeam: Short Story — Andrew F. Sullivan

Vol. V, No. 9. September 2014

• Numéro Cinq at the Movies: Justin Anderson’s “Jumper,” Introduced by R. W. Gray
• Extol Him Who Rides On the Clouds: Micro-Fiction — Cynthia Sample
• Repetition: Fiction — Leon Rooke
• The Cuban Sketchbook: Poems — Glen Sorestad
• Undersung | Josephine Jacobsen: A Poet’s Poet — Julie Larios
• The Experience of a Woman: A Review of Ingrid Winterbach’s The Elusive Moth — Benjamin Woodard
• Legibility: Essay — Fernando Sdrigotti
• Robert Musil: Speed is Witchy! & Intensivism — Translated by Genese Grill
• Ignore Alien Orders: Michael Oatman Art & Interview — Mary Kathryn Jablonski
• Chance Encounters of a Literary Kind: Mavis Gallant (1922-2014) — Robert Day
• A Sense of Human Folly: Interview with Mavis Gallant — Karen Mulhallen
• So Many Enigmas: Richard Landon on Mavis Gallant — Karen Mullhallen
• Wolves Evolve: Novel Excerpt — Jowita Bydlowska
• Uimhir a Cúig | Poetry-Performed-Out-Loud-In-Public: Essay & Poems — Sarah Clancy
• This is a Dance: Essay & Dance Images — Lucy M. May
• The Apotheosis of the Cathedrals: Fiction — Garry Craig Powell

Vol. V, No. 8, August 2014

• Numéro Cinq at the Movies: David Cho’s “Where We Are,” Introduced by R. W. Gray
• Words on Stone, Eggshells, Feathers, Etc.: Poems, Art & Interview with Jody Gladding — Darren Higgins
• From On Immunity: Nonfiction — Eula Biss
• We Do Not Know Alone: Interview with Eula Biss — Adam Segal
• Beautiful Distractions: A Review of Shane Jones’ Crystal Eaters — Sebastian Ennis
• Inside the Glass Factory: Review of If the Tabloids Are True What Are You? By Matthea Harvey — A. Anupama
• A Serpent: Fiction — Lee D. Thompson
• High Culture, Poetic Imagination and the Submerged Center: Essay — Paul Pines
• Bleeds-The-Eastern-Sky: Poems & Photographs — John Oughton
• Altitude: Essay — Leslie Ullman
• Uimhir a Cúig | An Apple in the Library & Memory House: Two Stories — David Hayden
• La Grande: Novel Excerpt — Juan José Saer
• The Decomposition of Continuous Movement: Review of Juan José Saer’s La Grande — Richard Farrell
• What It’s Like Living Here: Quetzaltenango, Guatemala — Deborah Willis
• The Alexander Debate and the Murderous Innocence of Bucephalus: Fiction — Patrick J. Keane
• Vertical Labyrinth: Poems in Translation — Nela Rio

Vol. V, No, 7, July 2014

• Numéro Cinq at the Movies | The Full Monty: Notes on Narrative Form — Douglas Glover
• Conversion: Ontological & Secular from Plato to Tom Jones | Essay — Wayne J. Hankey
• The Matter of the Orgasm: Short Story — Michael Bryson
• Primitivisms: (Paradoxically) On Modernism — Genese Grill
• The Artful Masochist: Review of The Iceland by Sakutarō Hagiwara — Patrick O’Reilly
• Ishmaël: from The Genealogy of the First Person | Poem — D. M. Spitzer
• Undersung | The Poet-Novelist: Flying Crooked Forever — Julie Larios
• Uimhir a Cúig | The Chief Radiographer Considers: Poems — Paula Cunningham
• Naked Thought: Aphorisms — Róbert Gál
• God’s Middle Finger: An Excerpt | Nonfiction — Richard Grant
• I’m Not Passing Through: Interview with Richard Grant — Dan Holmes
• Horse In The Afternoon: Fiction — Dawn Promislow
• Considering Plasticity: Art — Victoria Palermo Introduced By Mary Kathryn Jablonski
• Tonight’s the Night: Cartoons & Poetry — James Kochalka & Sydney Lea
• “I’d learned this from a war movie” | A Review of Ondjaki’s Granma Nineteen and the Soviet’s Secrets — Benjamin Woodard
• Telling Stories While We Die: Review of Kyung-sook Shin’s I’ll Be Right There — Laura K. Warrell
• My Sorted Past | Excerpts & Photos From The Pat Boone Fan Club: My Life as a White Anglo-Saxon Jew— Sue William Silverman

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Vol. V, No. 6, June 2014

• Numéro Cinq at the Movies: Ryan Cockrell’s “Fishhooks” | Introduction & Interview — R. W. Gray
• The Connoisseur of Longing: Fiction — Dave Margoshes
• A Pocket Epic & The Hermit Poet: A Review of Robert Lax’s Poems 1962-1997 & Lorine Niedecker’s Lake Superior — David Wojahn
• Dear Dirty Dubliners, Revisited: James Joyce’s Classic at the Century — Bruce Stone
• Reflecting, Playing and Obsessing: Review of Warren Motte’s Mirror Gazing — Julie Larios
• The Serpent on Barnet Knoll: Three Essays — Sydney Lea
• Tales Told by an Idiom: Fiction — Tim Conley
• Shadow Play: Excerpt from a Novella in Verse — Jody Bolz
• We’re Not Shadows Yet: Review of Shadow Play /Interview with Jody Bolz — Jason DeYoung
• In The Direction Of North: Poems & Paintings — Denise Low & Thomas Pecore Weso
• Music for The Last Flower: Jazz — Diane Moser
• The Originality Paradox: Review of Samantha C. Harvey’s Transatlantic Transcendentalism: Coleridge, Emerson, and Nature—Patrick J. Keane
• Dial M For Muriel: A Review of Muriel Spark’s Memento Mori — John Stout
• On Sutures, Sutras, Cobbled Bodies And Jovian Goddesses: An Interview With Dodie Bellamy — Natalie Helberg
• The World Aristocratic Governor of the Year: Report From Vladivostok — Russell Working
• The Old Mermaid: Novel Excerpt | José Luis Sampedro — Translated by Brendan Riley
• Memory’s Soft Melody: A Review of Bohumil Hrabal’s Harlequin’s Millions — Sebastian Ennis
• Uimhir a Cúig | In My Own Light — A Memoir: Extract and Interview with Raymond Deane — Siobhán Cleary

Vol. V, No. 5, May 2014

• Numéro Cinq at the Movies: Matthew Brown’s “Mother’s Song”, Introduced by R. W. Gray
• Walking, Researching, Remembering: W. G. Sebald’s The Rings of Saturn as Essay — Patrick Madden
• Tragedy Postponed: The Mystery Novel as Comedy — Wayne Grady
• Tattoo: Fiction — Dede Crane
• 12/14/09: Memoir — Donald Breckenridge
• What Wolves Eat: Poems — Patrick O’Reilly
• Dystopia Now: Review of Xu Zechen’s Running Through Beijing — Steven Axelrod
• You And I, Alone in the Garden: A Review of Kjell Askildsen’s Selected Stories — Adam Segal
• Uimhir a Cúig | Moorfield Street: Prose Fragments — Martin Mooney
• Flirting & The Excellence Of Rain: On Translating Tirukkural | Essay & Poems — A. Anupama
• Off The Page | Codes, Texts & TexTiles: Art & Interview With Ingrid Ruthig — Nance Van Winckel
• SWAGGER: Musical Influence in Camden Joy’s Fiction (aka Tom Adelman) — Trinie Dalton
• Undersung| Invisible Adrien Stoutenburg — Julie Larios
• Claw: Short Story From This Is the Garden — Giulio Mozzi
• From the Garden Grows the Word: Review of Giulio Mozzi’s This Is The Garden — Tom Faure
• Rescuing the Wicked Queen: Review of Helen Oyeyemi’s Boy, Snow, Bird — Laura K. Warrell
• Surrounded by Strangers: Interview with Lydia Davis — Benjamin Woodard

Vol. V, No. 4, April 2014

• Numéro Cinq at the Movies: Michael Venus’s film for Parasite Single’s “The Hunt,” Introduced by R. W. Gray
• Mythology: A Response to Ralph Angel’s “The Exile and Return of Poetry” — D. M. Spitzer
• The Doctrinal Murder of a Socratic Beggar in St. Suzette: Fiction — André Narbonne
• Entering A Contrary Moon | Poems & Paintings — Elaine Handley & Marco Montanari
• “Second Thoughts” in Seamus Heaney’s North: From “Antaeus” to “Hercules and Antaeus” to “Exposure” — Patrick J. Keane
• A Person On Business From Porlock: Poems in English and Spanish — John B. Lee/Manuel de Jesus Velázquez Léon
• The Flower Can Always Be Changing: Essay & Photographs — Shawna Lemay
• Proposal for a Whole New Scale: Poems — Julie Larios
• Signor Farini: Song & Essay — Ian Bell
• Where The Women: Novel Excerpt | Álvaro Pombo — Translated by Brendan Riley
• Uimhir a Cúig | Tinnycross: Fiction — Nuala Ní Chonchúir
• Forms of Vastness: Review of Progress on the Subject of Immensity by Leslie Ullman — Summar West
• Tin-Penny Miseries and Chickenshit Joys: Review of Lorrie Moore’s Bark — Richard Farrell
• Apologia: Why Do We Write? — Genese Grill
• Dream Eaters of the Apocalypse: A Review of Robert Coover’s The Brunist Day of Wrath — Natalie Helberg
• The Press of a Human Heart Against the Page: An Interview with Victoria Redel — Jason Lucarelli

Vol. V, No. 3, March 2014

• Numéro Cinq at the Movies: Patrice Leconte’s Girl on a Bridge, Introduced by R. W. Gray
• Boar Hunting in Tuscany: Text & Photographs — Natalia Sarkissian
• The Code Orange Emblazoned Suite: Poems — Karen Mulhallen
• Poseurs: Fiction — Susan Sanford Blades
• The Mural and the Eyelash: Review of Donna Tartt’s The Goldfinch — Steven Axelrod
• Dear Echo to my Echo: Review of Peace by Gillian Conoley — A. Anupama
• The Language of Birds: A Review of William H. Gass’s On Being Blue — Sebastian Ennis
• Identity and Difference: Coleridge and Defoe, Crusoe and Friday, Prospero and Caliban: Essay — Patrick J. Keane
• It’s Like There Is A House In My Skull: Art & Interview with Bianca Stone — Nance Van Winckel
• Traffic & Panic: Poems — Ralph Angel
• Blinding: Novel Excerpt — Mircea Cărtărescu
• Empires Drenched in Concupiscent Sweat: A Review of Mircea Cărtărescu’s Blinding — Adam Segal
• Change the Weather/Avoid the Dead: Interview with David Shields — Richard Farrell
• Undersung | Eugenio Montale: Wringing the Neck of Eloquence — Julie Larios
• Uimhir a Cúig |Dánta le Doireann Ní Ghríofa – Poems by Doireann Ní Ghríofa & Videos in Collaboration with Peter Madden
• Calling the Dead to Life | A Review of Lydia Davis’s Can’t and Won’t — Benjamin Woodard
• In Dubai: Essay — Kay Henry
• Ten Ways To Leave: Essay — Melissa Matthewson
• It Is Love, My Frightened Ones, Love: Review of Robin Oliveira’s I Always Loved You — Laura K. Warrell

Vol. V, No. 2, February 2014

• Numéro Cinq at the Movies: Alexander Carson’s “We Refuse to be Cold,” Introduced by R. W. Gray
• The Dog and the Sheep: Fiction — Cynthia Flood
• Yes & No: Poems — Catherine Greenwood
• Abominable: Essay — Abby Frucht
• Sex & Death: Essay on the Uncanny — Sydney Lea
• Optical Structures in The Shrubberies: Ronald Johnson’s Cascades | Essay — Denise Low
• Going Home: Art & Essay By Bruno LaVerdiere — Curated By Mary Kathryn Jablonski
• The Plot: Fiction — Trey Sager
• Provocations: Essay on Northern Ireland — Diane Lefer
• The Provenance of Song: Original Music & Essay — Michael Schatte
• Mama Leukemia: Novel Excerpt | Julián Herbert — Translated by Brendan Riley
• Metaphor as Extratemporal Moment in Robert Musil and Marcel Proust: Essay — Genese Grill
• Can the Feraltern Speak? A Review of Dodie Bellamy’s Cunt Norton — Natalie Helberg
• Uimhir a Cúig | From Out of the City: Novel Excerpt — John Kelly
• The Real Is Experienced in the Body: Interview with Micheline Aharonian Marcom — Jason DeYoung
• After They Told Me I Had Cancer: Essay — J. M. Jacobson

Vol. V, No. 1, January 2014

• Numéro Cinq at the Movies: Denis Villeneuve’s “Next Floor,” Introduced by Jared Carney
• Character Emotion in the Short Story: Craft Essay — Walker Griffy
• Discontent in the Abode of the Dead: Review of Marek Hłasko’s The Graveyard — Adam Segal
• To Mexico: Fiction — Bill Gaston
• Keats and Identity: The Chameleon in the Crucible — Patrick J. Keane
• Upon Discovering Keir Inches Dead: Poems — John Barton
• Lichen, Bark & Mr. Smiley: Paintings — Katie DeGroot
• Contraband Dreams: Review of Poetry Collections by Catherine Greenwood, Russell Thornton & David Seymour — Sydney Lea
• Undersung | Marie Ponsot: Wandering Still — Julie Larios
• Uimhir a Cúig | The Angel Said: Fiction — John MacKenna
• Eucalyptus: Novel Excerpt — Mauricio Segura
• Tearing the Sacred Book Apart: Poems & Interview — Phil Hall & Ann Ireland
• What Is Home? | Review of Eucalyptus by Mauricio Segura — Benjamin Woodard
• Saltwater Cowboy: Essay — Joe Milan
• Read Without Interruption: Review of Woman Without Umbrella by Victoria Redel — A. Anupama
• The Sadder It Gets The Funnier It Gets: Interview with Steve Almond — Laura K. Warrell
• When the Critic Creates: A Review of Herbert Read’s The Green Child — Tom Faure
• Happy New Year!