An eagle shot from nowhere and killed
One of two black ducklings
Without the least effort as I canoed
A mirror lake at dawn.
When the small bird disappeared, the hen
Rushed to shield the last of her brood,
Urgent as my own mind, which rushed
By habit to metaphor
And by dint of will alone stopped shy
Of the poetaster’s O–
For all the sad creatures. I paddled on.
So did the two that survived.
They fossicked again for surface insects,
The mother settled her feathers,
The world went ahead with its usual business,
And I thought of my Bosnian friend,
How he opts for a sturdy manner. He tells
Good jokes in the bastard English
He learned from American comic books
And talk behind the translation
Of our television sitcom soundtracks.
He moves on in spite of all.
That poor doomed duckling’s wisps of down
Floated in air like snowflakes,
Diaphanous, after the raptor snatched it,
Beautiful, backlit by sun.
I recall the eagle as a totem of splendor
While it managed its own savage business,
Even as the pitiable rasps and squalls
Of the grown duck likewise linger,
Indelible, in the brain. And so
I may just write of them soon,
Though I think how my friend beheld the brain
Of his brother splayed against
A wall in a town so picturesque
It all but beggars the mind.
O, I’m a poet of no consequence.
The sniper picked one of a pair
Who walked a quaint old street together.
I feel guilt not envy. Indeed,
I’m otherwise content to be
So wanting in subject matter.
Sydney Lea is Poet Laureate of Vermont and a Contributing Editor at Numéro Cinq. His tenth collection of poems, I Was Thinking of Beauty, is now available from Four Way Books, his collaborative book with Fleda Brown, Growing Old in Poetry: Two Poets, Two Lives (some of the essays appeared first on NC), has now been issued in e-book format by Autumn House Press, and Skyhorse Publishing has published A North Country Life: Tales of Woodsmen, Waters and Wildlife. Other recent publications include Six Sundays Toward a Seventh: Selected Spiritual Poems (Wipf & Stock) and A Hundred Himalayas (U. of Michigan), a sampling from his critical work over four decades.