Feb 272013
 

Broun’s next text, Inner Tube (Knopf, 1985), was acquired by legendary editor Gordon Lish, whose stylistic influence can be felt throughout Broun’s subsequent work. By now Broun had become—a little like Barry Hannah, another author from Lish’s stable—a writer less of conventional “sentences” than of freewheeling, aphoristic riffs. But beyond this, Inner Tube displays a brilliant strain of misanthropy that is all Broun’s own. The book begins with the narrator’s mother committing suicide by putting her head through a TV screen. Compelled to escape this constitutive trauma (plus his incestuous lust for his sister), he flees into an increasingly fractured, ersatz social world. Along the way, man is revealed as merely

an over-evolved creature whose most dangerous enemies come from within… Imagine the first useless panic, the first nightmare, the first crushing turn of anomie. Ten thousand generations later, all we can do is palliate. Misery abhors a vacuum, and history is a list of sedatives.

Eventually Broun’s narrator escapes from this failed civilization, leaving to live alone in the desert. Inner Tube’s plot provides no palliation; instead it presents a pessimistic awareness that “we are animals. All the consoling fabrications must be waived.”

Read the rest of the essay at Writers No One Reads • [The following is a submission from David Winters,….

Feb 272013
 

I write what I want. I try to write what I’d like to read. I think about not wasting a reader’s time, my own included. As to the what and the how, I’m certainly not the first to use those terms. I guess others would call it content and style, and so forth. Of course, they can never be untangled from each other. They are each other. My point, and it’s an obvious one, I think, to many writers and readers, is that the story is nothing if you are not invested in every line of its telling. I’m talking about that charged feeling, the startling stuff, the poetry, the humor, the hurt, and getting your effects through language as well as through the situation. Your desired effect might be something percussive, or languorous, or plain-spoken, or richly complex, but they all require artifice, manipulation, in order for their power to compel us and to be sustained, undeniable. And here’s the crucial thing: By not thinking of your sentences as mere delivery trucks for the information of your story, by putting pressure on them, you often end up with a much more profound “what” than you could have dreamed up beforehand. As I said, this is really obvious. But it took me a long time and the help of teachers to figure it out.

via Paris Review – Pressing Flesh with Sam Lipsyte, Giancarlo DiTrapano.

Feb 262013
 

Louis Armand’s acid noir tale Breakfast at Midnight is a real delight, the kind of book that both embraces and breathes life into the standard tropes associated with the hard-boiled genre. In an upcoming review (forthcoming from Rain Taxi), I describe the novel as “a pinball fever dream, sopping with sweat, booze, and sex, that bathes its confines in an unsettling atmosphere of grime.”

Armand is not only a writer, but also a photographer and painter of some wonderful abstract canvases. Here below are two examples of his work. His website contains multiple galleries, all certainly worth a view.

untitled-red-1999-1

merz-is-dead-2002

(via atelierlouisarmand)

—Benjamin Woodard

Feb 252013
 

 

In March, the  Chilean government plans to exhume the remains of Pablo Neruda.  Neruda died  just days after a violent, U.S.-backed coup in 1973 ousted President Salvador Allende.  The official cause of Neruda’s death was listed as complications from prostate cancer. But rumors have swirled for years. Many people close to Neruda have claimed that the poet was poisoned by forces loyal to the brutal dictator, Augusto Pinochet.

Neruda’s exhumation and subsequent testing may not provide a final answer, but the investigation will certainly be interesting to watch over the next few months.

(Via Time Magazine’s News Feed.)

–Richard Farrell

 

Feb 242013
 

Sam Lipsyte & Gordon Lish at Columbia University, February 21. Photo by Jason Lucarelli

Mr. Snorkel here, writing from Culebra PR. I got in last night (Casa Resaca — resaca means undertow), with the surf still ringing in my ears, and found this email waiting for me. It’s from Jason Lucarelli, the same who wrote the wonderful essay on Lish and literary compositon in the current issue of NC. I thought it best to just give you the uncut report.

dg

Doug,

Sorry for the half-crazy phone message I left you. I had just found out about Gordon Lish speaking at Columbia on the 21st and I figured I would try to see if I could convince you to go.
A few choice quotes:
“I’m willing to make an enemy of anyone here over the lightest pretext.”
“Take heart to the statement: Form is all.”
“If it cannot be framed, it just isn’t there.”
“I’m not here to talk about literature. It’s not about literature. It’s about staying alive.”
“The wound becomes, if you’re lucky, the life.”
“You have to be determined to make your craziness profitable.”
“We are helpless in the sway of all we have read.”
“Those who use the language have a lot to answer for.”
Sam Lipsyte and Ben Marcus escorted Lish into the room, and Richard Ford sat next to him too, which was surreal enough for me. You’ll be happy to know I approached Sam after the reading, talked a bit about Venus Drive and one of the stories I am looking at for my lecture. (Hopefully I wasn’t too much of a fan.)
Hope all is well with you. Attached is a creepy photo I took from the lecture.
Jason Lucarelli
Feb 212013
 

Researchers at Keele University, UK, and Amridge University, USA, have discovered that Genesis uses an early example of a technique known as ‘bracketing’, which sandwiches one theme between two mentions of another theme. The technique is commonly used today, such as when bad news is sandwiched between two bits of good news. The new analysis of Genesis reveals a striking pattern between the two key themes of ‘life’ and ‘death’. The opening and closing verses of the book contain frequent mentions of life, whereas mentions of death are only found in clusters in the middle.

via New analysis of Genesis reveals ‘death sandwich’ literary theme.

Feb 202013
 

Stanley Crawford is an amazing and amazingly ill-known writer. I interviewed him when I had my radio show back in the mid-nineties. Stephen Sparks blogs elegantly at Invisible Stories and is an editor at Writers No One Reads; both are sites you should haunt every spare moment you can afford.

dg

“Sometimes when I am weary of seeing things in that flat, three-dimensional manner once so much boasted of, two plus two, and all the rest, there seems to be no longer any precise moment when old Unguentine vanished from my life, it seems rather an almost gradual process that went on over many years and as part of a great rhythm, as if, through some gentle law of nature, his disappearance would be followed by his gradual reemergence, that he would come back, so on, so forth.”—Stanley Crawford, Log of the S.S. the Mrs Unguentine

Here we find ourselves all at sea just eight pages into Stanley Crawford’s 1972 novella, this long sentence playing out across the water to give an early inkling of the lulling bewilderment we’ll grow accustomed to in the voyage ahead. It’s narrated by Mrs Unguentine (always Mrs, just like the eponymous ship), who relates a few pages prior that her husband, man overboard Unguentine (never Mr) “had been steering all those years with no idea of what he was steering towards” and whose legacy of aimlessness she’s doing her part to maintain.

via Log of the S.S. The Mrs Unguentine | Tin House.

Feb 202013
 

There was a time when a learned fellow (literally, a Renaissance man) could read all the major extant works published in the western world. Information overload soon put paid to that. Since there is “no end” to “making many books” – as the Old Testament book Ecclesiastes prophesied, anticipating our digital age – the realm of the unread has spread like a spilt bottle of correction fluid. The librarian in Robert Musil’s The Man Without Qualities only scans titles and tables of contents: his library symbolises the impossibility of reading everything today. The proliferation of lists of novels that you must, allegedly, have perused in your lifetime, reflects this problem while compounding it. On a recent visit to a high street bookshop, I ogled a well-stacked display table devoted to “great” novels “you always meant to read”. We measure out our lives with unread books, as well as coffee spoons.

via In theory: the unread and the unreadable | Books | guardian.co.uk.

Feb 202013
 

I found this fascinating video via David Winters who saw it on the European Graduate School site: Derrida, and life inside the machine of, well, life. We seem to be on a Derrida theme lately. This fits with Jacob Glover’s essay on Derrida “What If God is One of Us?” in the current issue of NC, an essay based on Derrida The Gift of Death. See also Wes Cecil’s lecture on the NC Blog “On Derrida: Deconstruction (among other things) Explained, Jacques the Tormentor”. Catherine Malabou herself is a fascinating person, a rare woman in the male dominated club of Continental philosophy.

dg

[youtube]https://www.youtube.com/watch?v=zDf0m5UqC4o[/youtube]

 

Feb 192013
 

I think of this as a defiant cry of anguish delivered against the encroaching darkness of atheism. Either that, or an annoying brainworm jingle (it’s not a song, you couldn’t call it that) that will infect your thoughts for the rest of the day.

dg

[youtube]http://www.youtube.com/watch?v=GubzawOcyxg[/youtube]

Feb 182013
 

Lee Rourke‘s novel The Canal (published by Melville House in the U.S.) won The UK Guardian‘s ‘Not The Booker Prize 2010’. Here is another of those great PATHOS interviews on the writing life at Full Stop.

dg

Give one example in which you had high hopes for success (artistic, commercial, or otherwise) but had those hopes dashed.

Always. I’m never satisfied. I look at my books, everything I’ve written and think: is this it? Is this all I’m capable of? Is this all it’s going to bring me? But that’s only normal, right?

Do you feel like the world owes you a chance to make a living as a writer?

The world owes me nothing. The world is indifferent to me, it feels nothing for me. I am merely attempting to secure some sort of foothold on the sheer cliff face up to its sumptuous plateaus.

via Pathos: Lee Rourke | Full Stop.

Feb 182013
 

The Department of Homeland Security is set to purchase a further 21.6 million rounds of ammunition to add to the 1.6 billion bullets it has already obtained over the course of the last 10 months alone, figures which have stoked concerns that the federal agency is preparing for civil unrest.

via » DHS Purchases 21.6 Million More Rounds of Ammunition Alex Jones’ Infowars: There’s a war on for your mind!.

Feb 162013
 

I had assumed it was an errant drone

According to scientists, five to 10 smaller meteorites hit the planet each year. Larger events like the one over Russia are more rare, and some experts said it may have been the biggest such blast since another meteor hit Siberia in 1908.

Also Friday, residents of the San Francisco Bay Area reported seeing a fireball in the sky that scientists said was likely a piece of space rock. Another meteor in the same area last October caused a loud sonic boom.

via Cuban media report meteorite explosion this week akin to Russia’s, but no damage reported – The Washington Post.

Feb 152013
 

Something else to be hysterical about. Note the bold text below. A MUCH LARGER object is coming near TODAY. I expect this will suck people and things not sufficiently anchored to the ground right off the face of the earth. I am keeping the dog inside. If you are caught outside, try to hold onto a tree. Just FYI from NC where we deliver practical scientific tips that could save your life.

dg

A meteor crashing in Russia’s Ural mountains has injured at least 950 people, as the shockwave blew out windows and rocked buildings.

A fireball streaked through the clear morning sky, followed by loud bangs.

President Vladimir Putin said he thanked God no big fragments had fallen in populated areas.

“It was quite extraordinary,” Chelyabinsk resident Polina Zolotarevskaya told BBC News. “We saw a very bright light and then there was a kind of a track, white and yellow in the sky. “

Scientists have played down suggestions that there is any link between the event in the Urals and 2012 DA14, an asteroid expected to race past the Earth on Friday at a distance of just 27,700km (17,200 miles) – the closest ever predicted for an object of that size.

via BBC News – Meteor strike injures hundreds in central Russia.

Feb 152013
 

rob mclennan writes here an affectionate and well-read overview of the latest issue of FENCE in which we both appear. He has a poem there called “The Linden Lea Transitions.” Watch for a story of rob’s coming in a future issue of NC.

dg

Generally, I’ve been impressed by the breadth and the quality of each issue of Fence, and every issue contains a surprise, and there are more than a couple within. I’m intrigued by Graham Foust’s poem “Collected Poems,” that begins:

Names for poems—why do I, on Earth, bother?
Some untitled verse is out there just waiting
to be used, like a life vest or a rifle
or an almost impossibly large number,
my noise-only memory’s noise-only ghost.

Emily Pettit, with her poem “Water I Have Seen A Duck,” is slowly becoming a favourite, and there is some remarkable work by a number of other poets, both familiar and unfamiliar to me. I’m attracted to the oddness of Brandon Downing’s poem “DICK CARLA ASTRO,” a four part sequence that begins: “Her breasts shot right out her shirt. / I have one of the things instantly // In my jaw. Both her hands drop / Down—[…].”

via rob mclennan’s blog: FENCE magazine v 15, no 2: winter 2012-13.

Feb 152013
 

Edward MaitinoThe author and his wife Michele and daughters Sophia and Isabella in a cafe just off rue de Seine in Paris

Edward Maitino is one of those unsung, mostly unpublished, really interesting writers who should be known more than he is. He was a student in a graduate writing class I led at the University at Albany-SUNY, either in 1999 or 2000, I can’t remember, earnest, dressed for the office, slightly out of place, but also the best pure writer in the class, with a Raymond Carver-ish instinct for capturing the epic solitude of alcoholism. Whenever I get a chance, I publish him. He was in an issue of Hunger Mountain (Fall, 2003, the print edition, not online) for which I co-edited the fiction with Mary Grimm. And now, once again, I have tracked him down and winkled a story out of him. Read it. You’ll see. He has a unique style, deceptively laconic and stoic. But the story has shape and mystery. It starts, jumps forward, then loops back before the beginning and tells you the story of the story. And the two stories, the two armatures, are psychological and structural parallels, the whole thing as intricate as clockwork.

dg

Part One

I met Marty Sutherland in a hospital emergency room on the night my father died. He was brought in on a stretcher under a pile of blankets. It was Christmastime and the place was mobbed. The ambulance driver left him in a hallway across from where I was sitting with my sister.

Marty wasn’t moving. His arms were at his side under the blankets and his eyes were closed. But I could hear him moaning. Someone had taken off his boots and placed them at the foot of the stretcher. Nurses kept bringing over warm blankets to cover him. He must of had ten blankets covering his body.

It was almost like he knew I was staring at him because he opened his eyes and looked right at me. He whispered that he was thirsty and asked for water. I jumped up out of my chair. I was only eleven-years old. I ran down the hallway to get the nurse.

Marty had this crushed look on his face and his eyes were sunken deep in his sockets. I had never seen a man so close to death until a few minutes later when I saw my father. The whole mood that night was grim. The doctors and nurses were trading anxious looks or avoiding looking at anyone at all. At the time I couldn’t understand why. It just made my stomach sick.

Marty was rushed through these huge metal doors. The doors swung open and closed automatically, which made it seem—to an eleven-year old boy—like Marty got swallowed up. Later the same set of doors ate my father.

I saw Marty again about ten years later during another low point in my life. It was my last semester of college and a few weeks after my girlfriend threw me out of the apartment we shared.

I was living in this dreary basement apartment that I was lucky and unlucky enough to find. There was a reason it was available half way through the semester. I was eating a lot of junk food, cutting classes, and watching TV in the dark. I guess the apartment suited my mood.

It was late in the day and I was sitting alone in a diner near my mom’s house when Marty walked in on crutches. He sat in a booth by the window and when his pants hiked up I noticed two prosthetic legs above his socks.

After I finished eating I walked up to Marty’s booth. I’m not sure what I was hoping to accomplish.

I said, “Do you remember me?”

He looked up and shook his head.

“I met you at the hospital the night you were brought into the emergency room.”

“I don’t know anything about that,” he said.

Marty went back to his plate, cutting a piece of grey meat, mixing instant mashed potatoes with canned peas, slurping a cup of coffee.

“I was a kid then, so you’d have to picture me a lot younger. I was sitting across from you in the hallway. You asked me for a glass of water.”

Then I said, “It was December 17th, 1982. I remember the date because it was the night my father died.”

Marty pushed his plate away. He lit a cigarette. I took out a pack of cigarettes from my shirt pocket. Marty handed me matches. He moved the ashtray to the middle of the table. I sat down across from him.

I found out Marty had lived on Florida’s gulf coast for several years before moving back to Schenectady after his mother died. He survived on a monthly disability check and small inheritance. Besides his prosthetic legs, he had a heart murmur and the onset of diabetes.

He didn’t say much about the night we met other than he’d lost his legs from frostbite after leaving a Christmas party drunk and passing out in his car in the bitter cold. He sued the owners of the house who hosted the party and the city where he parked his car, but his lawyer filed the papers too late and the case got dismissed.

“That’s too bad,” I said.

He shrugged his shoulders. “The system’s stacked against a guy like me.”

We paid for our meals separately and walked outside. He showed me how his car was rigged for him to drive using his hands. It had the throttle and the brakes on the steering wheel.

He pulled two cans of beer out of a cooler in the back seat. We drank the beer and smoked cigarettes under the streetlight. It was one of those warm spring nights that you appreciate after a long winter.

Marty said the next time he saw me at the diner he was going to buy me dinner.

“You don’t have to do that,” I said.

“I want to,” he said. “You got me water, right?”

“Well, I told the nurse.”

“It’s the same thing.”

I watched Marty drive his car out of the parking lot, working the controls from the steering wheel. He had this wild-eyed look on his face, as if he was half-expecting the car to lift off the ground and disappear into the night sky.

I went home that night and sat in a chair in front of the TV with the volume turned down. The apartment had this horrible odor I was trying to ignore. I think it was in the carpeting. I was thinking about my father and how much I missed him. I wished he could have seen me grow up and graduate college. I was about to be the first person in my family to get a college degree. I think that would have made him proud.

I remembered how my mother would take us to visit my father’s grave on every holiday, his birthday, and the anniversary of his death. Those first few years were tough for everyone. Then my sister stopped going to the cemetery with us around the time she turned sixteen. On the next occasion—I think it was Memorial Day—my mom and I skipped visiting the grave. We never went together after that or seldom talked about my father. I don’t know why. I suppose grief has its own rhythm.

My mother started dating a salesman she met through her work. I was happy for her. They lived together in the house where I grew up. They were able to deny living together because he still paid rent on his apartment. But he was there almost every night. I told my mother to have her boyfriend give up his place and not worry about what other people think. But she was old-fashioned when it came to couples living together, especially a widow with children.

That summer I ran into Marty at the diner. I’d been over my mom’s dropping off laundry. I was looking for a full-time job and living in the same lousy apartment. My ex-girlfriend had moved back to Long Island and wasn’t too keen about me coming down to visit. I was putting a lot of pressure on her to get back together. I wanted to get married. I think she moved back home to get away from from me.

Then on my way to the diner I remembered Marty and wondered if I would see him. Sure enough Marty was sitting in the same booth, almost like he was waiting for me to walk in. And he bought me dinner, just like he promised. Being out of work, I was happy to oblige. But I didn’t take advantage of him. I ordered the daily special and nothing else, not even a soda.

He began talking about the experience of losing his legs. He said it had been years since he talked to anyone about it. I told him a little about my father’s accident.

Marty said it was stupid and reckless to leave the party as drunk as he was that night. But he often wondered why the owners of the house didn’t try to stop him from driving home. There were people milling around outside who had watched him stumble down the front steps and skin his knee.

Before the accident Marty figured he’d get married and have children. But after all these years he was comfortable being on his own and couldn’t imagine having a wife or the responsibility of raising a family.

“Life suits me just fine,” he said. “I realized long ago this was the way things were supposed to be.”

After we finished eating Marty asked if I wanted to go out for a few beers. I hesitated for a moment, not wanting to encourage him. He was too old a guy to be hanging out with. Then I remembered that I was the one who approached Marty in the first place. I kind of felt sorry for him.

“Okay,” I said.

I put his cooler and crutches in the back seat of my car and drove to a bar that he suggested. We sat in the back room near the pool table and took turns buying drinks.

After a while Marty asked the waitress to clear the empty beer bottles off the table. She wasn’t very friendly toward us. I watched the girl stack the bottles on the tray and put down a clean ashtray.

“No reason we have to look like drunks,” Marty said to her.

The waitress forced a smile.

While we were talking I noticed how Marty would tip his chair back on two legs and stare down at the floor as if his thoughts were somewhere else.

Marty talked about being in the hospital for several weeks, enduring multiple infections and surgeries, losing one leg the night he was brought in and the other leg the next day.

“Nowadays I bet they’d be able to save my legs,” he said.

“Today, sure,” I said.

He seemed to think about this for a moment.

“When I woke up from surgery, the first one, I told the nurse I wanted to see my leg.”

I moved around in my seat.

“I don’t know how to explain it,” he said. “But I felt like it was still mine. Attached or not, it belonged to me.”

“What’d the nurse say?”

“She called in the doctor, who said I was in shock. ‘Wait a while,’ he said, ‘and see how you feel.’ ‘I know how I feel,’ I said. ‘I want to see my leg.’”

Marty took a long drink of beer. I watched him close his eyes and tilt the bottle.

“Did you ever get to see it?” I asked.

“Never did,” he said. “The doctor told me there were health laws that had to be followed. Then the next day they took off my other leg and I thought, what the hell, who cares anymore?”

I looked at him closely. Unlike the first time I saw Marty at the diner, he was clean-shaven and his hair was washed and combed. He had a flat face, queer lips he kept wiping with his sleeve, and a wide nose like you’d see on a black man.

“I don’t think I could look at my leg cut off like that,” I said. “That’s crazy.”

“For months I kept having these awful dreams. I never spoke to anyone about them. They’re the most personal thing in my life. We all have those secrets.”

He shook his head in disbelief.

Then he said, “I was too ashamed to even look my mom in the eyes when she’d visit the hospital.”

We finished our drinks and left the bar. On the way back to the diner I stopped at a market so Marty could buy beer to put in his cooler. I felt uncomfortable—sort of exposed—under the bright lights in the market. The idea of people walking around filling shopping carts with food seemed brilliant. I was like, “Who invented this system of carts and conveyer belts?” That’s when I knew I was drunk.

I stood in the checkout line with a candy bar. Marty walked up struggling to hold onto a carton of beer and a bouquet of plastic flowers. I realized I should have offered to help him shop. He paid for a bag of ice, which we picked up on the way out. I had no idea why he wanted to buy the flowers, but it made me nervous thinking he was planning to give them to me. The woman ahead of us had coupons, which took time for the girl at the register to scan.

When we got back to my car Marty stocked the cooler. He put the beer in first and then emptied the ice on top of it. He opened a can of beer and handed it to me. The flowers were on the floor between his feet.  He was looking straight ahead.

“You ever drive out to where your father had his accident?” Marty said.

“I used to go there when I first got my license. I’d drive by out of curiosity I guess. But I haven’t been there for a long time.”

“You think you could find it?”

“Yeah, I’m sure I could.”

“Let’s go put these flowers down,” he said. “I keep seeing these little shrines popping up along the road where someone’s died in an accident.”

“I’ve seen them too,” I said. “Sometimes there’ll be flowers or a wreathe. A lot of times you’ll just see a cross in the ground.”

We drove for miles on dark country roads. The sky was overcast and I couldn’t see much of anything beyond the shone of the headlights.

We began climbing up a long, slow-rising hill. On the other side of the hill the drop was much steeper. I noticed a sign near the top of the hill. There was a picture of a car dropping over a steep hill. I wondered if my father’s accident had something to do with the sign being put there.

“This is the spot,” I said. “Right here at the bottom of the hill.”

I pulled onto the shoulder of the road and cut the engine. We got out of the car. The road was built up several feet above the fields. There was a wire fence with wood posts at the bottom of the embankment on each side of the road.

I pictured my father speeding over the hill, his eyelids heavy, his jaw slack, a cigarette between his lips. I considered how much time he had to react before losing control of his car, the long-hooded sedan flying off the embankment and slamming into the ground, steam whistling out of the radiator.

I saw my father sitting passively behind the wheel, a gash opened on his forehead.

Marty was leaning against the side of my car without his crutches. Seeing him standing on his own two feet startled me.

I leaned into the driver’s side window and switched on the high-beams, flooding the dark field with light. Hundreds of bugs swarmed into the beams of light.

I grabbed two beers from the cooler. My hand went numb when I reached into the icy water.

Marty said he felt no pain tumbling down the stairs, tearing open his pants, blood trickling down his knee. “I should’ve realized right then and there how drunk I was,” he said. He tried driving home, but only made it as far as the city park. He managed to pull over on the perimeter road before passing out. Temperatures dropped into the single digits. A fresh snow fell that morning, covering his car. When he woke he was still drunk. He heard a snow plow pass by, the heavy metal blade rumbling on the pavement. Marty tried turning over the engine, but the battery was dead. He laid on the horn, but no one came to help. Hours later when the plow came by a second time to salt the road, he heard the pellets pinging against the side of the car.

“I wasn’t cold anymore,” he said. “I could’t feel a thing. When I tried to lift my arm, it felt like someone was holding it down.”

“I gave up,” he said. “I was done caring.”

That night an old man walking his dog through the park heard what he described later as “a human sound,” a whimper perhaps or a soft groan. He brushed the snow off the driver side window of Marty’s car and there in the dark interior he saw a man slumped behind the wheel.

I looked at Marty. His eyes were blinking fast. We stood a few feet apart. He lit a cigarette. When he struck the match, I could see his eyes shining.

I reached into the passenger side window and grabbed the bouquet of flowers. I set down my beer on the pavement and stepped in front of the headlights. I walked sideways down the embankment. I unlaced my boot, took off the shoelace, and tied the flowers to the fence post. I tied them tight so they wouldn’t blow away.

“How’s that look?” I said.

“Real fine,” Marty said.

“Can you see it from the road?”

“You sure can.”

I slipped coming up the bank. I could feel my foot moving around in the untied boot. I turned and looked at the bouquet of flowers. Marty was sitting in the car, leaning back in the seat smoking a cigarette. I got behind the wheel and sat for a moment.

I put the car in gear and drove until I found a spot to turn around. Coming back toward the hill I noticed the can of beer I set down on the shoulder of the road. I considered opening the door and reaching down to pick up the can, but I was finished drinking beer.

I slowed down and looked at the flowers tied to the fence post.

“I’d like to come back and see what it looks like tomorrow,” Marty said.

“Me too,” I said. “Things look different in the daylight.”

Marty seemed satisfied. He didn’t say another word driving back into town. He cleared his throat once. His face was turned toward the window most of the time. I noticed his legs stretched out on the floor. You could tell they weren’t real by the way his ankles were bent.

There was a beer can next to his crotch. When he finished his cigarette he dropped the filter into the can and swished it around. I pulled into the parking lot next to his car. Inside the diner I could see people sitting in booths by the window.

“I’m kind of hungry,” he said. “You hungry?”

“Not really,” I said. “I ate a candy bar.”

Marty wanted to give me his telephone number. I turned on the light inside the car so he could write it down. He folded the piece of paper and handed it to me. I tucked it in my visor. But I knew I wouldn’t be calling Marty or coming back to this diner. I had already decided that. I took the cooler out of the back seat and put it in his car.

“Give me a call tomorrow,” he said.

“Okay,” I said.

Marty was going into the diner for a piece of pie and a cup of coffee. I tooted the horn as he crossed the parking lot. Instead of turning around, he picked up a crutch as if to wave goodbye.

I opened the window and lit a cigarette. The cool air rushing into the car woke me up. Driving back to my apartment I thought about the flowers tied to the fence post. I hoped every so often someone passing by would notice them and say a little prayer.

I realized it wasn’t much, just a handful of plastic flowers tied to a post on a road less travelled than most. But maybe people seeing it would wonder what happened down there. Maybe they’d ask themselves who was lost and who was left behind.

I drove slowly on the highway, making sure to stay between the lines. I kept my eyes on the speedometer. When a car came up behind me and flashed its high beams, I stuck my arm out the window and waved for it to pass.

Part Two

Ed was late picking up his children from school. The plan was to drop them off to their mother and go back to work. As a salesman, Ed was often out on the road making calls, which allowed him to drive his children to school and back. But he always seemed to be late picking them up. He was late so often that when the last bell rang his children reported directly to Mother Superior’s office where they sat by the window facing the street waiting for Ed’s car to turn the corner.

The nuns reminded Ed more than once that it was school policy to have all children out of the building at dismissal. They even went so far as to write him a letter, which was sent home with his son.

Mother Superior, in particular, disliked Ed. He wasn’t the kind of man a nun would admire.

When Ed’s car pulled up to the curb that afternoon, Sister Catherine took the boy and the girl by the hand and walked them out the front door. She stood under the portico staring at Ed through the snow flurries falling on the street.

Ed reached across the seat and opened the passenger side door. The girl, the younger of the two, ran toward the car and climbed in the back seat. Big white snowflakes stuck to her hair. The boy sat in the front seat next to his father.

The boy could see right away that his father had been drinking. His eyes were red and the car smelled of alcohol. The boy’s stomach began to churn, but he made an effort not to show any concern on his face. As they breathed inside the car the windshield began to fog. Ed rubbed the glass with his hand and rolled down the window. The boy looked back at his sister as they drove away. There was a book in the girl’s lap and her head was down. The wind was whipping her hair.

On the highway Ed got behind a slow-moving car. He tried to pass the car twice, but was stopped by oncoming traffic. Agitated, he threw his hands up in the air. He began tailgating the car, leaving about a foot of space between the two bumpers. In response, the car in front of Ed began speeding up and slowing down. Ed could see two young “punks” in the back seat turning their heads and laughing.

At that point something changed in Ed. He straightened up in his seat, gripping the steering wheel. The boy noticed the lazy look on his father’s face had disappeared. The crease running down Ed’s forehead seemed more pronounced.

The car in front of Ed accelerated again. The boy could hear the engine rev as the car moved away from them. But instead of letting the car drive away, Ed pushed down on the gas pedal. He got close behind the car again, but this time at a much faster speed. That’s when the driver put on his brakes. He just tapped them, but it forced Ed to react by stepping on his brakes hard enough for the children to be thrown forward.

Instinctively, Ed reached over and put his hand against his son’s chest. But the boy’s momentum carried him forward and he hit his forehead on the windshield. A bump instantly appeared above his left eye. The girl in the backseat landed on the floor and started to cry.

“You’re okay,” Ed said to the girl.

She nodded, but looked frightened. Ed reached back with one arm and lifted her back into the seat. She pulled the hair away from her face and wiped tears off her cheek. The boy smiled at his sister. He didn’t want her to be afraid.

At the next stoplight Ed shoved the handle on the steering wheel into the park position so hard the boy thought it had broken off. The boy grabbed his father’s arm and begged him not to leave. But Ed turned and got out of the car as if the boy wasn’t there.

Ed walked up to the car and leaned into the driver’s side window. The boy could see his father’s head and shoulders disappear into the car. Ed turned off the engine and took the keys out of the ignition. The boy heard voices inside the car. The voices were muffled, but full of emotion. Ed grabbed the driver by his shirt. The young man sitting in the passenger seat opened the door and sprung to his feet on the pavement. Ed stood up and pointed his finger at the young man across the roof.

The boy watched in disbelief. It was like everything was happening in slow motion. He pushed on the horn, but his father wouldn’t look in his direction. When Ed grabbed the car door handle with both hands, the driver started kicking his feet out the window. Then Ed grabbed the young man’s legs and one of his shoes fell off. He dragged the driver out of the car through the window and the young man fell hard on the pavement. Ed stood with his hands clenched in fists, waiting for him to get on his feet and fight. But the young man was too afraid to get up.

By now the stoplight turned green and traffic was backed up at the intersection. Several people stuck their heads out the window or beeped their car horns. Snow began to fall—big, heavy, wet flakes. As snow covered the windshield it grew dark inside the car. The boy turned on the windshield wipers. When the wipers cleared the snow he saw that his father was gone. He watched the young man’s car pull away. Just then the car door opened. Ed got in breathing heavy. His shoulders and hair were covered with snow.

The boy could see that his father was no longer drunk. Ed lit a cigarette and took a long drag. He put the car in gear and drove off. The girl settled back in her seat, relieved to be going home. The boy stared at his father. He noticed the knuckles on his right hand were scraped and bloody.

No one said a word on the way home. Ed pulled into the driveway and left the motor running. He kept his hands on the steering wheel.

“You two go in the house,” he said. “I’ve got a few more stops to make.”

The girl grabbed her books and ran inside. But the boy, sitting next to his father, didn’t move. The bump on his forehead tingled. He touched it with his finger. He asked his father to come inside the house.

“You’re bleeding,” he said.

Ed looked down at his hand. He took a handkerchief out of his coat pocket and cleaned off the blood.

“It’s nothing,” Ed said. “Now go inside and get your homework done.”

The boy opened the car door and got out. He could see his sister’s footprints in the snow. The tracks led to the garage. Snow was falling steadily. An inch or more already covered the ground. From the breezeway the boy watched his father’s car back out of the driveway. All he could make out were the red brake lights shining in the dark snowfall.

That evening, while his mother cooked dinner, the boy sat at the kitchen table watching television. The console television in the living room had a blown picture tube and while his parents saved to get it repaired, the little black and white television on the countertop was the only one there was to watch. The boy didn’t mind. He liked being in the kitchen with his mother. He liked the smell of the food she cooked and watching her prepare it. The girl was in her bedroom reading a book about horses that she had brought home from school.

Ed’s wife was on the telephone with a neighbor when the operator interrupted the call. They were talking about getting together one night the following week to bake Christmas cookies. Ed’s wife suddenly heard a terrible clicking sound and then a woman’s voice come on the line. The hospital had been trying to call this number regarding an accident her husband had been involved in, the woman said. When the neighbor heard the operator she hung up the receiver without saying goodbye.

“How bad is he hurt?” Ed’s wife asked.

The woman on the telephone said the only information she had was that the accident was serious and that Ed’s wife should come to the hospital immediately.

Ed’s wife hung up the receiver on the wall phone and stared at the boy.

“Get your pants on,” she said.

The boy was wearing pajama bottoms with a pattern of baseball gloves and bats that he had put on after his pants got wet shoveling the driveway. His cheeks were still flush from being outside in the cold. The boy turned off the television and stood by the counter. For a reason he couldn’t understand he felt foolish wearing the pajamas.

“What’s the matter?” The boy asked.

“Just do what I say,” the mother said. “And tell your sister to get ready to leave.”

The boy took his pants off the radiator where he had left them to dry and stepped into the legs. Parts of the pants were warm and other parts were still cold and wet.

Ed’s wife called for a taxi and explained it was an emergency. She took off her apron. She turned off the stove and moved the pots and pans off the burners. She helped the girl on with her boots. She went through this mental list of things she needed to do. The list made her feel more in control of things.

Then she stood at the front window waiting for the taxi, smoking a cigarette with an ashtray in her hand. When the taxi pulled in the driveway, they piled in the back seat and drove to the hospital.

Ed was on a gurney in a small, brightly lit examination room. When the family arrived there was a nurse standing next to Ed reading something off a monitor screen. Ed’s wife sat the children down on plastic chairs in the hallway before stepping through the curtain. The policeman who followed the ambulance carrying Ed to the hospital stood with his elbow resting on the nurses’ station.

When the nurse came out of the room the policeman straightened up. He said he was going to need her to draw blood to measure Ed’s alcohol level. The nurse’s face tightened. She stared at the policeman. When the nurse opened the curtain to wheel a machine in the room, the boy saw his father lying on the gurney. There was a gash across his forehead and blood on the front of his shirt.

Ed suddenly moved to get up. The nurse tried to get him to lie back down, pushing her hands on his chest. She was caught off guard by Ed’s strength and his ability to move around given his injuries. Then again, working in the emergency room for as long as she had, the nurse had seen many strange things possess the injured. She knew how desperate a wounded man could be.

For the first time in his life the boy saw fear in his father’s eyes. It gave him the goosebumps. Ed had fought in the war and told the boy stories. The boy thought his father would live forever.

Ed was larger than life in comparison to the other fathers the boy knew. He had never seen his father miss a day of work or stay home sick in bed. Many a morning Ed would come home from a night of drinking and playing poker to shave and change his clothes before going off to work.

The boy knew that if his father could just get on his feet everything would be okay. The doctor could stitch his cut and they could all go home.

He thought of the food his mother had left on the stove and imagined his family eating dinner. He pictured his father sitting at the table in a clean shirt and a bandage wrapped around his forehead like you see the wounded wear in the movies. His mother was there in this image too, standing over her husband in her apron holding a frying pan and filling his plate.

An orderly rushed into the room to help keep Ed on the gurney. His mother was off to one side. She was saying something to her husband. The boy could recognize but not understand the complex emotions on her face—concern, disappointment, anger.

Then all at once Ed stopped trying to get up. He let out a loud breath the boy could hear from the hallway. The doctor was called in to exam him. When the nurse saw the boy looking in the room, she closed the curtain.

A short time later Ed was wheeled into surgery by the orderly. The boy saw how grey and drawn his father’s face looked as he passed by.

The orderly was bent over the gurney, pushing it down the hallway in long, powerful strides. But what drew the boy’s attention—what he remembered all those years later—were the quick, little steps made by the nurse holding the IV bottle alongside the gurney.

There was something about the commotion in her steps that filled the boy with dread.  He was so terrified he held his breath as the gurney went by. Then the nurse, the orderly and Ed passed through these huge double doors and the hallway was empty again.

 —Edward Maitino

————–

Edward Maitino’s work has appeared in Hunger Mountain and Event. His short story “Blackbird” won the Eugene Garber Prize for Best Short Fiction at the State University of New York at Albany. He has taught at Hudson Valley Community College.

Feb 152013
 

Beautiful enough to increase tolerance for the baffling (orgy of whales) and encourage travel to Iceland at the same time. If only to become stoney and juttingly one with the landscape.

[vimeo]http://vimeo.com/58912692[/vimeo]

–R.W. Gray

 

Feb 142013
 

My elderly neighbour just knocked on the door to check and see if I was okay. He said he hadn’t seen me leave the house lately and thought I might be sick. He said he noticed the lights were on till the early morning, but that didn’t mean anything; people go away and leave their lights on to fool robbers. He offered to bring me food. This was very sweet. He walks with a cane, has had multiple strokes, has glaucoma. But then I became alarmed: Without being conscious of my decline I have become a figure of public charity, a lost soul. In the evenings now I see the ghost of my old cat Hobbes prowling in the backyard.

dg

Feb 142013
 

Diane Schoemperlen

Here’s a writer’s calendar if I ever saw one. Print it up and tack it above your desk. Not just New Year’s Resolutions, but resolutions by the month. For example: APRIL/ Composition — How to do it? Sing softly/ make/ make/ What a pretty face she has/ Do not let the fire go out.  Sound advice. Loopy, intuitive, surprising, charming, image seeded with words and seeded again with more images. Hybrid art, restless art, art of quotation, homage and reference.

These twelve calendar collages are a rare and sumptuous treat, a phantasmagoria, a riot, a witty extravaganza of hyper-creativity from Diane Schoemperlen, Canadian novelist and story writer, winner of the Governor-General’s Award for Fiction, who just can’t seem to sit still and write but is always extending things. What has always distinguished her as a writer is her capacity to create structural metaphors out of apparently incommensurable texts. For example her novel In the Language of Love is based on the Standard Word Association Test. Art for Schoemperlen is putting things together; juxtaposition is all. The protagonist of that book is a collage artist which is where Schoemperlen got her own start making collages, illustrating her books with art. On Numéro Cinq a couple of years ago we published Diane Schoemperlen’s story “I am a Motel” with collages. And what we have here today is a logical extension of one creative vector, collages with the snippets of text embedded, not accompanying the story but being the work itself.

Diane lives in Kingston, Ontario, a town of writers. We have been friends for years, even edited a book together once. It’s lovely to have friends like this.

dg

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This series of twelve collages called “Be It Resolved” grew out of another longer series called “Quick Studies.” In October 2012, my friend Laurie Lewis (author of two memoirs, Little Comrades and Love and All That Jazz, Porcupine’s Quill, 2011 and 2013) asked me if I had any collages to donate to a fundraiser for the Kingston Seniors’ Centre called “6Squared.” It was an art show to which I could donate up to six pieces, each of which had to measure six by six inches exactly. None of my collages were that size so I decided I would make something especially for the show. But it was less than two weeks until the deadline for donations. The creation of my usual collages is a very slow and time-consuming process so I knew I had to come up with something that could be done much more quickly. Casting about for an inspiration, I realized that the pictures on the calendar I keep on my kitchen windowsill were exactly the right size. The calendar is a page-a-day collection of art from The Metropolitan Museum of Art and I had had several versions of it over the years. Of course I had kept them in a box in the basement.

I am most intrigued by the combination of text and image in collage and so I began, first sorting through the calendar pages, choosing the ones that seemed to offer themselves readily to some additions of text bits and other images. I made use of collage material that I had been accumulating over the years but hadn’t found a place for in my other work. I cut the text bits from a number of old textbooks that I’d gathered for larger projects but hadn’t used after all. These old textbooks were spelling and reader primers for young schoolchildren, originally published in the late 19th and early 20th centuries. Because I had a deadline to meet, I intentionally made these collages as quickly as possible, not allowing myself the usual time I would take to ponder the placement of each and every fragment. This turned out to be a wonderful exercise in subverting my own sometimes annoying need for perfection in my usual collage process. Within a week I had six collages to donate to the fundraiser. I called them “Quick Studies.” Each collage became a small mysterious story, a story that seemed to create itself as I pasted the fragments onto famous paintings by Monet, Manet, Rousseau, Rosetti, Renoir, and the rest. I enjoyed making them so much and they were so enthusiastically received that I continued on and the “Quick Studies” series now numbers thirty-three with many more to come. For me, these collages have become the perfect way to flex my creative impulses without pressure or self-criticism. They are liberating and exhilarating, always giving me an infusion of energy and excitement for my larger writing projects.

The “Be It Resolved” series is an extension of the “Quick Studies” series. It began on the afternoon of New Year’s Eve. I am not fond of New Year’s Eve and I do my best to leave it unacknowledged. Nor do I make resolutions. But I suppose I can’t help but think about the upcoming year, as everyone does. Never mind about quitting smoking, losing weight, going to the gym, or trying to be an all-round better person…in 2013 I just want to create more and worry less. I was quite taken with this idea and I posted it to my Facebook page. The positive response was immediate and heartfelt. Most of my FB friends are creative people and, apparently, most of them also worry too much, just like I do. So I made this series of collages to commemorate what had become a collective resolution, one for each month of the year, any year. The collages are intended as a reminder of how important it is to make a place for creativity in the midst of all that other stuff that needs tending to, dealing with, and worrying about. At the request of many people, I have plans to have them professionally printed as a calendar.

—Diane Schoemperlen

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Be It Resolved #1 Diane Schoemperlen

Be It Resolved #2

Be It Resolved #3

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Be It Resolved #4

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Be It Resolved #5

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Be It Resolved #6

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Be It Resolved #7

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Be It Resolved #8

Be It Resolved #9

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Be It Resolved #10

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Be It Resolved #11

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Be It Resolved #12

Author’s Note: The “Create More Worry Less” calendar is now available! Cost is only $20 each + $5 shipping and handling. Please contact me at my Facebook Author Page for ordering information:  https://www.facebook.com/pages/Diane-Schoemperlen-Author/22203973880?ref=hl Or send me an email with “CALENDAR” in the subject line: dianes@kingston.net

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—Diane Schoemperlen
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Born and raised in Thunder Bay, Ontario, Diane Schoemperlen has published several collections of short fiction and three novels, In the Language of Love (1994), Our Lady of the Lost and Found (2001), and At A Loss For Words (2008). Her 1990 collection, The Man of My Dreams, was shortlisted for both the Governor-General’s Award and the Trillium. Her collection, Forms of Devotion: Stories and Pictures won the 1998 Governor-General’s Award for English Fiction. In 2008, she received the Marian Engel Award from the Writers’ Trust of Canada. In 2012, she was Writer-in-Residence at Queen’s University. She has just completed her latest project, By the Book, a collection of stories illustrated with her own collages.

Feb 132013
 

Sydney Lea

Sydney Lea here attacks head on the dread subject of sex but manages somewhat quixotically to ride away (on a Shetland pony named Warrior Maiden) into utterly charming reminiscences about his youthful passion for Angie Morton (his version of Dulcinea del Toboso) and a shantytown and “Colored Graveyard” he would pass traveling to and from her house. This is an instance where an author makes a virtue out of necessity, doing a masterful job of being entertaining while not writing about what he doesn’t want to write about. As Syd writes, “Before I was able to publish the one and only novel I ever composed, for example, my agent had practically to horsewhip me into juicing up my characters’ erotic encounters.” Here are beautiful, lapidary lines: “Unrequitedness thus became, as I say, an expectation.” And a sweet reflection on the complexity of life which, yes, casts up metaphors that we spend the rest of our days decoding.

This essay, along with two others, “Unskunked” and “Becoming a Poet: A Way to Know,” published earlier on Numéro Cinq, are among Sydney Lea’s contributions to a book he has co-written with fellow poet laureate Fleda Brown. The book is called Growing Old in Poetry: Two Poets, Two Lives and is forthcoming as an e-book in April from Autumn House Books. The pattern of the book is a call-and-response. As Sydney writes, “My friend Fleda Brown, lately poet laureate of Delaware but now escaped to northern Michigan, and I are writing a book together. She writes an essay on a topic (food, sex, clothes, houses, illness, and wild animals); then I write one on the same topic. Then I write one and she follows suit. Etc. It’s fun, though I don’t know who in Hell will publish it.” We have also published here one of  Fleda Brown’s essays from the book, her wonderful meditation on books and reading, “Books Made of Paper.” And in our March issue, we’ll have another. I will be sorry to see this series end for us. (But buy the book.)

dg

 

growing_old_coverflat

A tricky one for me, this subject. Its once-upon-a-time factor must start at ten years old or so, before I understood sexuality except by some vague surmise, In those days, I habitually rode Warrior Maiden, my fat little Shetland pony, past Angie Morton’s house.  Angie was sixteen, I think, and movie star beautiful, at least in my eyes. She was scarcely taller than I, and would never grow taller, but her figure was simply statuesque.  She had raven hair, almost chalk-white skin, and the most penetrating eyes, ice-blue, almost white themselves, I had ever seen or would ever see after.

My hope, often enough repaid, was to catch her in her yard or, far more exciting, for reasons I must also have dimly surmised, through her bedroom window. No, that’s not accurate:  the compensation for my hope was never adequate. True, I couldn’t conceive what satisfaction might entail, but I knew Angie’s languid wave or, on happier occasions, her desultory word or two of chitchat was not it.

So desperate was my need for this young woman, whatever that need comprised, that I frequently extended my rides just so I could pass her house more than a single time on a single ride. I remember tethering Warrior Maiden to an apple tree and simply sitting under it for as long as I could bear, gorging on the wormy windfalls till I made myself queasy.  At least I thought the fruit was to blame for how I felt.

These delaying maneuvers resulted once in a frightening but thrilling trip home after dark.  In our corner of Montgomery County lay a small settlement of southern-born blacks, who had made the hard trek north in search of better fortunes. Most of them went to work in an asbestos mill in Ambler, though a fair share took jobs on local farms, or, if they were women, they labored as domestics in the more prosperous households. I found their little dwellings fascinating and somehow foreboding: in the warmer months, the front doors seemed always open, but the interiors were kept so dark that I could never quite make out the figures inside. In one tiny house, a harmonica seemed always to be playing, though I couldn’t find the musician. Each shack seemed multi-generational: I could tell that much by the wide variety of human heights among the shadowy occupants.

The shantytown had an aroma of cuisine, exotic, at least to me, pungent, and attractive; but the truly unusual feature of the community was its cemetery, with those knife-thin, tilting headstones, each adorned and surrounded by shards of broken glass, and the bordering trees full of suspended bottles.  To ride by that half-acre graveyard plot after sunset, and after having laid my adoring eyes on Angie; to hear indistinct rustlings of nocturnal animals in the brush; to be forced to rely solely on the pony’s sense of where home lay: this mixture of adventure, reverence, mystery, fear and trespass would come to serve as a kind of under-aura to such sexual experiences as I would have in my adolescent years– and later ones too.

However strangely it strikes me today, I seem somehow to have believed that my life would never amount to anything, that I would never know that obscure condition people called happiness, if I couldn’t be with Angie, even if, as I’ve conceded, I didn’t understand what that sort of “being with” entailed.

The notion was absurd, of course, and yet it didn’t end as I came to maturity, at least of the physical kind.  For too many years, I would spot a woman in some public place– museum, train, airport, restaurant, campus– and would be convinced that if I could not know her in the Biblical sense my entire life would be no better than despair. The inane measures I took to guarantee myself, if not a conversation with her, at least a glimpse of my exalted Angie were paltry compared to the extraordinary lengths I went to in order to put my person in the way of these coveted women. I can’t even describe the sanest of those tactics, so embarrassed do I remain by reflection on them.

The tactics, of course, were almost always met with rebuff, or simple non-recognition. Indeed, such a response was no more than I expected, the expectation itself a carry-over from my horseback days.  Not that Angie ever cruelly rejected me.  I suspect she knew full well the profundity of my crush on her, but she spared me all mockery, let alone recourse to nasty words.  She appeared always to have enough time for a brief exchange of remarks, which I both craved and resented.

None of her acknowledgments was enough. However banal my part in the conversation, I always hoped she could read it allegorically somehow, could know that my commentary on the weather, for example, was freighted with double-entendre.  Alas, she never appeared to decode the allegory, and despite my knowing, even at ten, that her failure to do so owed itself to my own clumsiness and to no defect in her, I was free to regard the failure as a kind of dismissal. Unrequitedness thus became, as I say, an expectation, though being the oldest son of a mother whom I seemed always to disappoint must have factored into all this too. That, however, is another story. Or at least I choose to think so.

I will be forgiven for lacking the temerity as a child to declare my devotion to the paragon Angie. But that I should remain oblique, even prudish to this day when it comes to talking about sex seems an odd thing, so elaborate and ardent were my efforts as a young man to get as much of sex as permitted by such charm as I owned and by 1950s mores, which I felt both thrill and shame to violate when I could. Before I was able to publish the one and only novel I ever composed, for example, my agent had practically to horsewhip me into juicing up my characters’ erotic encounters. Though the first draft referred to those encounters, it stopped leagues short of depicting them. In forty years of teaching, for further instance, I never felt other than acutely uncomfortable when discussing student work that showed significant carnal content.

One problem that has always concerned me, at least in my avatar as prose essayist, is what I call the temptation to closure. That is, I may lay out a series of memories, emotions, and events, and then discover myself hunting for a way to herd them into a narrative corral. I don’t know if that’s what I am doing here. I honestly do not. In any case, I wonder if my unease in talking about sex out loud or on the page may go back to a certain horseback ride after dark, when – full of vague lust, longing, and melancholy– I passed what was then referred to as the Colored Graveyard. The sense, as I lingered under Angie Morton’s window, that I was on the brink of an exciting but forbidden trespass may have been further impressed on body and soul by my traveling on horseback by those darkened cabins, each so full of mystery, then under those suspended bottles, which seemed to betoken a universe I had no right to visit. That, after all, was what made it so scintillating to imagine.

—Sydney Lea

——————————–

SYDNEY LEA is Poet Laureate of Vermont. His selection of literary essays, A Hundred Himalayas, was published by the University of Michigan Press in September, 2012. Skyhorse Publications just brought out A North Country Life: Tales of Woodsmen, Waters and Wildlife, and in April, his eleventh poetry collection, I Was Thinking of Beauty, is due from Four Way Books. His most recent collection of poems is Six Sundays Toward a Seventh: Selected Spiritual Poems, from publishers Wipf and Stock. His 2011 collection is Young of the Year (Four Way Books).

He founded New England Review in 1977 and edited it till 1989. Of his nine previous poetry collections, Pursuit of a Wound (University of Illinois Press, 2000) was one of three finalists for the Pulitzer Prize for poetry. The preceding volume, To the Bone: New and Selected Poems, was co-winner of the 1998 Poets’ Prize. In 1989, Lea also published the novel A Place in Mind with Scribner, and the book is still available in paper from Story Line Press. His 1994 collection of naturalist essays, Hunting the Whole Way Home, was re-issued in paper by the Lyons Press in 2003. Lea has received fellowships from the Rockefeller, Fulbright and Guggenheim Foundations, and has taught at Dartmouth, Yale, Wesleyan, Vermont and Middlebury Colleges, as well as at Franklin College in Switzerland and the National Hungarian University in Budapest. His stories, poems, essays and criticism have appeared in The New Yorker, The Atlantic, The New Republic, The New York Times, Sports Illustrated and many other periodicals, as well as in more than forty anthologies. He lives in Newbury, Vermont, where he is active in statewide literacy and conservation efforts.

Feb 132013
 

[youtube]http://www.youtube.com/watch?v=byDiILrNbM4[/youtube]

Parental Warning: Click on the link below for explicit photos of sea slug sex.

I read this article before I had coffee this morning. At first I found it deeply disturbing. Disposable penises! Nudibranchs! Simultaneous hermaphrodites! I was unprepared to read the following sentence: “This means they have both male and female sexual organs and can use them both at the same time.” I have read it several times now and am still unprepared. The mind whirls. What happened to Family Values?

The wave of the future? Or an evolutionary niche, possibly a dead end? So far sea slugs have not shown up much on the cultural radar.

But then I was reminded of Plato’s parable of sex and love, the original Ur-beings, half female and half male, each gender facing away from the other (so that group sex was always in the cards). Then they split and we are forever searching for our other half (the current state of things). Are the sea slugs Plato’s Ur-beings, the original happy little COMPLETE souls for whom all is LOVE?

“The genital apparatus is on the right hand side of the body. So two nudibranchs come together and one faces one way and one faces the other way, with the right hand side of their bodies touching. The penis from one fits into the female opening of the other one, and the penis from that one fits into the female opening of the first one, if you see what I mean. They are both donating sperm to the other one.”

Filthy, disgusting, I know. Obviously, sea slugs have not evolved a notable literature because they spend too much time trying to figure out how to have sex.

I am still wincing at the idea of disposable penises. I am going to have bad dreams tonight.

 

Japanese researchers observed the bizarre mating behaviour in a species called Chromodoris reticulata, which is found in the Pacific Ocean. They believe this is the first creature known that can repeatedly copulate with what they describe as a “disposable penis”.

via BBC News – Sea slug’s ‘disposable penis’ surprises.

Feb 122013
 

San Francisco Intl Festival

I love this photo of Yahia Lababidi. How can you resist a man with words written all over him and a book in his hand? Egyptian-born Lababidi is a poet, aphorist, essayist and mystic. He is steeped in the traditions of Western philosophy but comes from a world where the desert reminds you constantly that you are surrounded by a vast inimical emptiness; the ancient Christian hermits used to sit in the Egyptian desert because from there you could place a toll-free call to Paradise. But it is also a world in which mysticism finds an easy partner in eroticism, the metaphors of love. This is equally true of some Western traditions but especially those with Arabic influences, for example, the fantastic love poetry of the Troubadours. It’s not much of a stretch to see that influence standing behind Don Quixote’s passionate ideal love for the non-existent Dulcinea del Toboso, the adoration that drives him through 800 pages of Cervante’s great novel. These are poems toward a future collection, poems that are often aphoristic in their turns, poems that turn often on a relationship to a self, an other, an alter ego (Pessoa is cited) or a wound. Although it may seem contradictory to say so, the mystic is a person in conversation; everything in him burns toward that conversation.

NC earlier published a selection of Yahia Lababidi’s aphorisms entitled “Flirting With Disaster.” But you will find a helpful introduction to the man in this essay “The Artist as Mystic” written by Arie Amaya-Akkermans.

dg

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Dark Room

Awoke, with an unseen
reel of dream film
I’d found wandering

And, now wondering
where does one develop
such unreal pictures?

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Alter Ego

“ I wasn’t meant for reality, but life came and found me.” – Fernando Pessoa

The first thing you noticed was how pale
the skin – the second, was how naked
a mess of long limbs, knees and elbows
you’d not have known what to make of it

The albino squirmed in the cruel sunlight
a thing of porcelain, as brittle and bright
grass scarcely covered the strange flesh
and birdsong masked its muffled cries

All day the dream-being remained that way
an odalisque of indeterminate sex
clearly in exquisite pain, yet alluring
and commanding an odd authority

Only when night fell did it make sense
-the androgynous specimen was male-
the way it crouched, danced and leapt
luminous in the moonlight, fearless.

 

Pen pal

He went to bed, cradling a pen
his back turned to the woman
when he awoke, she was gone
and, in her place, a giant pen.

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Exchanges

Don’t grieve. Anything you lose comes round in another form.  – Rumi

What unexpected turns our losses take
in winding their way back into our arms:

an absent lover returns as many others,
a nation forsaken in the shape of a new life;

poems might take the place of mothers
and friends gone come back as a wife.

If Love were not always a step ahead
how would it ensure we kept up the chase?

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Master and servant

Rarely, having neglected his art
the man catches a glimpse of the artist

that cold, appraising gaze
the glint of an eye-tooth

better to turn away from the mirror
and best not to have a blade in hand.

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St Sebastian

Sometimes, he found it difficult
to dislodge the arrows
preferring to keep them there
reverberating in silence
along with his invisible wounds.

 

You again

You again, of the singing wound
here again, lost and found and lost
trafficking in metaphysics and eternity
as the nearest hopes

where to, pilgrim
outdistancing chasms
rationing emotions
seeking sustenance

for the self too subtle and proud
for words
nocturnal flower, nurtured solitude
watered night

there you go, restraining the impulse
to say it all at once
even surrounded by silence
still filled with noise

now, having stirred some thrumming
hour when the moon throws
her full-bodied light
over all, like a silver screen night
of silent films, the whirring
of the reel.

—Yahia Lababidi

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Egyptian-born, Yahia Lababidi is the author of three collections:  Signposts to Elsewhere (aphorisms — 2008 Book of the Year at The Independent in the UK), Trial by Ink: From Nietzsche to Bellydancing (essays) and Fever Dreams (poetry). Lababidi’s work has been widely published in US and international journals as well as being translated into several languages, including: Hebrew, Slovak, Spanish, German, and Italian. A juror for the 2012 Neustadt Prize for International Literature, his latest book project is a series of ecstatic, literary dialogues with Alex Stein, titled:  The Artist as Mystic: Conversations with Yahia Lababidi. Here is a link to a conversation from The Artist as Mystic, where the author discusses how he began writing aphorisms (among other things)

Yahia Lababidi

Feb 122013
 

I saw Easy Rider the first time in a movie theater in Edinburgh when was in graduate school, age 21. It’s a picaresque and a pastoral combined. A dark pastoral because, hidden in the vast and gorgeous land, is a world of violent intolerance. It had a gloriously romantic effect on me that I find difficult to articulate in its complexity. Among other things, I grew a full beard and hair down to my shoulders (for many of you who have only known me in my dotage, this may come as a shock). All The Band members except Levon Helm were southwestern Ontario boys. Robbie Robertson is from Toronto. Garth Hudson is from Windsor. Richard Manuel is from Stratford. And Rick Danko was from Simcoe, where my mother grew up, just ten miles from our farm. They were local heroes, especially to my younger brother who started playing the guitar in high school. His first band was called Norfolk (after the county where we grew up). His bass player remembered being a little boy and Rick Danko feeding him raw hamburger (or sausage) over the meat counter at the butcher shop where he worked. I don’t know if this story is true anymore. But it was a story. I tell you this for no reason — it came to mind after writing tonight.

dg

[youtube]http://www.youtube.com/watch?v=QMy3AbpkYvw[/youtube]

Feb 112013
 

Yes, so we’re behind Croatia. Eventually, in Croatia people will be packed in like tuna while America will once again be a sparsely-populated land of wide open spaces and roaming bison being hunted by billionaire sportsmen. Something to look forward to.

The maternal mortality rate for Texas has quadrupled over the last 15 years to 24.6 out of 100,000 births in 2010, from 6.1 per 100,000 live births in 1996, according to a report last year from the state’s Department of Health Services.

Many counties report no maternal deaths. But two scarcely populated Texan counties report maternal mortality rates of over 900 per 100,000 births, or nearly 1 percent of all births, according to the report. The state also has 15 counties that have maternal mortality rates higher than 100 deaths per 100,000 births and not all of them are rural.

Those numbers are far worse than the national average maternal mortality rate of 21 per 100,000 live births. But our national statistic offers no pride. It leaves the United States at the bottom of the list of developed nations; meaning, for instance, that more new mothers are dying here than in Croatia.

via Pregnant? Watch Your Risks in Great State of Texas | Womens eNews.

Feb 112013
 

The Texas GOP would like to discourage thought. Numéro Cinq doesn’t know which side of the issue to come down on. Arguably critical thought does waste a lot of energy that could be used more productively keeping up with Justin and Kim. And parental authority is sacrosanct, especially, you know, because the parent is bigger…

Knowledge-Based Education – We oppose the teaching of Higher Order Thinking Skills (HOTS) (values clarification), critical thinking skills and similar programs that are simply a relabeling of Outcome-Based Education (OBE) (mastery learning) which focus on behavior modification and have the purpose of challenging the student’s fixed beliefs and undermining parental authority.

via Texas GOP 2012 platform item – The Answer Sheet – The Washington Post.

Feb 112013
 

Soon we’ll be relegated to a backwater transhipment point. The only jobs will be shifting boxes for someone else. We’ll do nothing but watch FOX-News and Kim Kardashian reruns and eat Freedom Fries. Will we be happy? Hell yes.

China has leapfrogged the US to become the world’s biggest trading nation, bringing an end to the US’s post-war dominance of global commerce. The total value of US exports and imports in 2012 was $3.82 trillion (£2.4 trillion), the US Commerce Department has revealed. China’s customs administration has already announced that the country’s total trade last year was worth $3.87 trillion.

via China trade now bigger than US – Telegraph.