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2011

 

Vol. II, No. 12, December 2011

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The Richard Farrell NC Archive Page

 

Richard Farrell

Richard Farrell is the Non-Fiction Editor at upstreet and a former Senior Editor at Numéro Cinq (in fact, he is one of the original group of Vermont College of Fine Arts students who helped found the site). A graduate of the U.S. Naval Academy, he has worked as a high school teacher, a defense contractor, and a Navy pilot. He is a graduate of the MFA in Writing Program at Vermont College of Fine Arts. His work, both fiction and non-fiction, has been published or is forthcoming in Descant, Hunger Mountain, Newfound, Blue Monday, Dig Boston, Contrary, Numéro Cinq, and others. He is currently at work on a collection of short stories and a novel. In 2016, he will be a resident writer at the Ragdale Artist Community in Lake Forest, Illinois. Richard lives with his family in San Diego.
Contact: richardfarrell@old.numerocinqmagazine.com

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Fiction

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A Boy Falling out of the Sky: Memoir

First Solo

On Reverence

On A Writer Dying Young

Into the Realm of the Dark

On Courage

Almost Independence Day

About Face: On Class Reunions and Reading Salter


Will, Kate & Osama: Jean Baudrillard on Royal Weddings and the Death of bin Laden

Deforming Form: Outlier Short Stories and How They Work

What It’s Like Living Here [San Diego]

Non-Commencement Commencement Address, January, 2011

Unintentional Pugilism: A Memoir

The Life and Work of Alphonse Kauders

Invitation to a Re-shredding: The Top 10 Things I Learned This Semester

Degenerates, Monks and Writers

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Book Reviews

Fever Dreams: Review of R.W. Gray’s Entropic

The Decomposition of Continuous Movement: Review of Juan José Saer’s La Grande

Tin-Penny Miseries and Chickenshit Joys: Review of Lorrie Moore’s Bark

Outside the Known Limit | Review of Victoria Redel’s Make Me Do Things

Laundromats, Lucky Charms and the Labors of Herakles | Review of Anne Carson’s Red Doc>

Ship of Fools: Review of A Thousand Morons by Quim Monzo

Unmeasured Depths: A Review of Steven Heigthon’s The Dead Are More Visible

Desperate Wagers: Review of Scars by Juan José Saer

In Search of the Author, Barthes Be Damned: Review of The Selected Stories of Mercé Rodoreda

Elegant Uncertainty: Review of Juan Jose Saer’s novel The Sixty-Five Years of Washington

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Interviews

Bushwacked by Inspiration: An Interview with Steven Heighton

Capturing the Equivalences: Interview With Translator Steve Dolph

Manufacturing Dreams: An Interview with Anthony Doerr

Double Exposure: An Interview with Darin Strauss

Making the Little Monsters Walk: Interview with Brad Watson

And Make Mine a Double: Interview with Keith Lee Morris

The Confluence of Rivers: Interview With Tammy Greenwood

Change the Weather/Avoid the Dead: Interview with David Shields

When I’m in the Swamps, I Just Need Questions: Interview with R.W. Gray

Dec 022011
 

Keith Lee Morris’ short story “Ayudame” is a tale of friendship, failed dreams, and possibly a sliver of salvation. Morris has written two novels, The Greyhound God and The Dart League King, as well as two collections of short stories.  “Ayudame” comes from his collection Call It What You Want, available from Tin House Books. The story originally appeared in Third Coast magazine.  Morris teaches writing at Clemson University. (Read an interview with Keith Lee Morris on Numéro Cinq. )

—Richard Farrell

Ayudame

By Keith Lee Morris

 

Douglas “Deeder” Mumphrey was wakened from a dream of the record shop in Haight-Ashbury by his ten-year-old daughter, Grace, who was, surprisingly enough, standing by the side of the bed dressed and ready for school. It was Deeder’s turn, not his wife’s, to get Grace ready for her car pool ride, that much seemed sure, based on the fact that Grace stood by his side of the bed, not Theresa’s, and based on her serious and rather tired expression, which said several things to Deeder, such as “Dad’s lazy,” and “Dad’s forgetful,” and “Dad had too many beers last night,” and “I had to make my own breakfast,” all of which were true, more or less, not to say that the various truths contained in the expression didn’t annoy the hell out of Deeder, because they did, because why the hell should a ten-year-old girl be right about so many things when he himself, Deeder, a forty-one-year-old man, was rarely right about anything.

Deeder glanced over at his wife, her hair in the band she wore to keep it out of her face while she slept, soft snores coming from her puffed-out lips, and he was reminded of the argument they’d had the night before and he wondered how she could sometimes look like such a peaceful, easygoing person, and then he whispered “Sorry” to Grace and dragged himself out of bed, still smelling somewhere in the back of his head the incense he burned in his record store, the one he never had, back there in the Summer of Love when he was just born.

In the kitchen he brewed a pot of coffee and ran through a couple of spelling words with Grace to see if she was ready for her test, which she semi-was, not for lack of effort, but Grace wasn’t much of a speller. Rapture, censure, preacher, adventure–three out of four. Her forte was personal grooming–he marveled now at the way she’d managed to pick out the blouse, the pants, the matching socks all by herself, the way she looked so neat, her straight blond hair brushed just so.

There was Mrs. Adkins, pulling into the drive. He waved out the window, hoping she couldn’t see he was in his boxers. He made Grace give him a kiss on the cheek. “You stink, Dad,” she said. He watched her set her pack carefully in the back of the Adkins’ Aerostar, watched her climb in, smoothing her pant legs under her to keep them from wrinkling. Monterey Pop, the family’s black Lab, was lying with his head on his paws over by the sofa, wagging his tail slightly. Deeder poured some more food in his bowl and watched him come over and eat.

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