Capo di tutti capi
Douglas Glover’s obscurity is legendary; he is mostly known for being unknown. He has been called “the most eminent unknown Canadian writer alive” (Maclean’s Magazine, The National Post). But for sheer over-the-top hyperbole, nothing beats the opening of a recent piece about him in Quill and Quire in Toronto, which elevates his lack of celebrity to the epic: “Certain mysteries abide in this world: the Gordian Knot, the Holy Trinity, and the literary obscurity of Douglas Glover.” Luckily, he owns a dog and is not completely alone in the world. And occasionally someone actually reads what he writes: He has also been called “a master of narrative structure” (Wall Street Journal) and “the mad genius of Can Lit” (Globe and Mail) whose stories are “as radiant and stirring as anything available in contemporary literature” (Los Angeles Review of Books) and whose work “demands comparison to [Cormac] McCarthy, Barry Hannah, Donald Barthelme, William Faulkner” (Music & Literature). A new story collection, Savage Love, was published last fall.
Glover is the author of five story collections, four novels, two books of essays, Notes Home from a Prodigal Son and Attack of the Copula Spiders, and The Enamoured Knight, a book about Don Quixote and novel form. His novel Elle won the 2003 Governor-General’s Award for Fiction, was a finalist for the IMPAC Dublin Literary Award, and was optioned by Isuma Igloolik Productions, makers of Atanarjuat, The Fast Runner. His story book A Guide to Animal Behaviour was a finalist for the 1991 Governor-General’s Award. His stories have been frequently anthologized, notably in The Best American Short Stories, Best Canadian Stories, and The New Oxford Book of Canadian Stories. He was the subject of a TV documentary in a series called The Writing Life and a collection of critical essays, The Art of Desire, The Fiction of Douglas Glover, edited by Bruce Stone.
Since he washed up in the hinterlands of upstate New York in the early 1990s, Glover has taught at Skidmore College, Colgate University, Davidson College, the University at Albany-SUNY and the Vermont College of Fine Arts. He has been writer-in-residence at the University of New Brunswick, the University of Lethbridge, St. Thomas University and Utah State University. For two years he produced and hosted The Book Show, a weekly half-hour literary interview program which originated at WAMC in Albany and was syndicated on various public radio stations and around the world on Voice of America and the Armed Forces Network. He edited the annual Best Canadian Stories from 1996 to 2006. He has two sons, Jacob and Jonah, who will doubtless turn out better than he did.
See also “Consciousness & Masturbation: A Note on Witold Gombrowicz’s Onanomaniacal Novel Cosmos,” an essay in 3:AM Magazine; “Pedro the Uncanny: A Note on Juan Rulfo’s Pedro Páramo,” an essay in Biblioasis International Translation Series Online; “A Scrupulous Fidelity: Thomas Bernhard’s The Loser,” an essay in The Brooklyn Rail; “Mappa Mundi: The Structure of Western Thought,” an essay on the history of ideas also in The Brooklyn Rail; “The Mind of Alice Munro,” an essay in Canadian Notes & Queries; and a dozen extremely wise epigrams at Global Brief.
Richard Farrell is the Creative Non-Fiction Editor at upstreet and a Senior Editor at Numéro Cinq (in fact, he is one of the original group of students who helped found the site). A graduate of the U.S. Naval Academy, he has worked as a high school teacher, a defense contractor, and as a Navy pilot. He is a graduate from the MFA in Writing Program at Vermont College of Fine Arts. His work, including fiction, memoir, essays, interviews and book reviews, has appeared in Hunger Mountain, New Plains Review, upstreet, Descant, and Numéro Cinq. He teaches at Words Alive and the River Pretty Writers Retreat in the Ozarks. He lives in San Diego.
Contact Richard Farrell.
R. W. Gray (Numéro Cinq at the Movies) was born and raised on the northwest coast of British Columbia, and received a PhD in Poetry and Psychoanalysis from the University of Alberta in 2003. He is the author of Crisp, a short story collection, and two serialized novels in Xtra West magazine and has published poetry in various journals and anthologies, including Arc, Grain, Event, and dANDelion. He also has had ten short screenplays produced, including Alice & Huck and Blink. He currently teaches Film at the University of New Brunswick in Frederiction.
Gerard Beirne is an Irish author who moved to Canada in 1999. He is a past recipient of The Sunday Tribune/Hennessy New Irish Writer of the Year award. He was appointed Writer-in-Residence at the University of New Brunswick 2008-2009 and continues to live in Fredericton where he is a Fiction Editor with The Fiddlehead. He has published three novels, including The Eskimo in the Net (Marion Boyars Publishers, London, 2003) which was shortlisted for the Kerry Group Irish Fiction Award 2004 for the best book of Irish fiction and was selected as Book of the Year 2004 by The Daily Express (England). His poetry collections include Digging My Own Grave (Dedalus Press) which was runner-up in The Patrick Kavanagh Award. His personal website is here. He curates Uimhir a Cúig at NC.
Ann Ireland’s most recent novel, The Blue Guitar, was published by Dundurn Press in early 2013. Her first novel, A Certain Mr. Takahashi, won the $50,000 Seal-Bantam First Novel Award and was made into a feature motion picture called The Pianist in 1991. Her second novel, The Instructor, was nominated for the Trillium Award and the Barnes and Noble’s Discover These New Writers Award, and Exile was shortlisted for the Governor-General’s Award and the Rogers/Writers Trust Award. She is a past president of PEN Canada and coordinates Ryerson University’s Chang School of Continuing Education, Writing Workshops department. She lives most of the time in Toronto and part of the time in Mexico.
Contact Ann Ireland.
Patrick J. Keane is Professor Emeritus of Le Moyne College. Though he has written on a wide range of topics, his areas of special interest have been 19th and 20th-century poetry in the Romantic tradition; Irish literature and history; the interactions of literature with philosophic, religious, and political thinking; the impact of Nietzsche on certain 20th century writers; and, most recently, Transatlantic studies, exploring the influence of German Idealist philosophy and British Romanticism on American writers. His books include William Butler Yeats: Contemporary Studies in Literature (1973), A Wild Civility: Interactions in the Poetry and Thought of Robert Graves (1980), Yeats’s Interactions with Tradition (1987), Terrible Beauty: Yeats, Joyce, Ireland and the Myth of the Devouring Female (1988), Coleridge’s Submerged Politics (1994), Emerson, Romanticism, and Intuitive Reason: The Transatlantic “Light of All Our Day” (2003), and Emily Dickinson’s Approving God: Divine Design and the Problem of Suffering (2007).
Julie Larios is the author of four books for children: On the Stairs (1995), Have You Ever Done That? (named one of Smithsonian Magazine’s Outstanding Children’s Books 2001), Yellow Elephant (a Book Sense Pick and Boston Globe–Horn Book Honor Book, 2006) and Imaginary Menagerie: A Book of Curious Creatures (shortlisted for the Cybil Award in Poetry, 2008). For five years she was the Poetry Editor for The Cortland Review, and her poetry for adults has been published by The Atlantic Monthly, McSweeney’s, Swink, The Georgia Review, Ploughshares, The Threepenny Review, Field, and others. She is the recipient of an Academy of American Poets Prize, a Pushcart Prize for Poetry, and a Washington State Arts Commission/Artist Trust Fellowship. Her work has been chosen for The Best American Poetry series by Billy Collins (2006) and Heather McHugh (2007) and was performed as part of the Vox series at the New York City Opera (2010). Recently she collaborated with the composer Dag Gabrielson and other New York musicians, filmmakers and dancers on a cross-discipline project titled 1,2,3. It was selected for showing at the American Dance Festival (International Screendance Festival) and had its premiere at Duke University on July 13th, 2013.
Contact Julie Larios.
Sydney Lea is Poet Laureate of Vermont. He founded New England Review in 1977 and edited it till 1989. His poetry collection Pursuit of a Wound (University of Illinois Press, 2000) was one of three finalists for the Pulitzer Prize for poetry. Another collection, To the Bone: New and Selected Poems, was co-winner of the 1998 Poets’ Prize. In 1989, Lea also published the novel A Place in Mind with Scribner. His 1994 collection of naturalist essays, Hunting the Whole Way Home, was re-issued in paper by the Lyons Press in 2003. Lea has received fellowships from the Rockefeller, Fulbright and Guggenheim Foundations, and has taught at Dartmouth, Yale, Wesleyan, Vermont College of Fine Arts and Middlebury College, as well as at Franklin College in Switzerland and the National Hungarian University in Budapest. His stories, poems, essays and criticism have appeared in The New Yorker, The Atlantic, The New Republic, The New York Times, Sports Illustrated and many other periodicals, as well as in more than forty anthologies. His selection of literary essays, A Hundred Himalayas, was published by the University of Michigan Press in September, and Skyhorse Publications just released A North Country Life: Tales of Woodsmen, Waters and Wildlife. His eleventh poetry collection, I Was Thinking of Beauty, was published in 2013 by Four Way Books.
Nance Van Winckel is the author of six collections of poems, including After A Spell, winner of the 1999 Washington State Governor’s Award for Poetry, and the recently released Pacific Walkers (U. of Washington Press, 2013). She is the recipient of two NEA Poetry Fellowships and awards from the Poetry Society of America, Poetry, and Prairie Schooner. Recent poems appear in The Pushcart Prize Anthology, The Southern Review, Poetry Northwest, Crazyhorse, Field, and Gettysburg Review. She is also the author of four collections of linked short stories and a recent recipient of a Christopher Isherwood Fiction Fellowship. Boneland, her newest book of fiction, is just out with U. of Oklahoma Press. Her stories have been published in AGNI, The Massachusetts Review, The Sun, and Kenyon Review. Nance’s photo-collage work has appeared in Handsome Journal, The Cincinnati Review, Em, Dark Sky, Diode, Ilk, and Western Humanities Review. New visual work and an essay on poetry and photography appear in Poetry Northwest and excerpts from a collage novel are forthcoming in Hotel Amerika and The Kenyon Review Online. Click this link to see a collection of Nance Van Winckel’s mash-ups of poetry and photography, which she calls photoems. She is Professor Emerita in Eastern Washington University’s graduate creative writing program, as well as a faculty member of Vermont College of Fine Arts low-residency MFA program. She lives near Spokane, Washington with her husband, the artist Rik Nelson. Her personal web page is here.
Benjamin Woodard lives in Connecticut. His recent fiction has appeared in decomP magazinE, Cleaver Magazine, and Numéro Cinq. His reviews have been featured in Numéro Cinq, Drunken Boat, Rain Taxi Review of Books, and other fine publications. He is a member of the National Book Critics Circle. You can find him at benjaminjwoodard.com.
Contact Benjamin Woodard.
Genese Grill is an artist, writer, German scholar, and translator living in Burlington, Vermont. Her first book, The World as Metaphor in Robert Musil’s ‘The Man without Qualities’: Possibility as Reality (Camden House, 2012), explores the aesthetic-ethical imperative of word and world-making in Musil’s metaphoric theory and practice and celebrates the extra-temporal moment of Musil’s “Other Condition” as a transformative aesthetic and mystical experience informing a utopian conduct of life.
Bruce Stone is a Wisconsin native and graduate of Vermont College of Fine Arts (MFA, 2002). In 2004, he edited a great little book of essays on Douglas Glover’s fiction, The Art of Desire (Oberon Press). His own essays have appeared in Miranda, Nabokov Studies, Review of Contemporary Fiction, Los Angeles Review of Books, F. Scott Fitzgerald Review and Salon. His fiction has appeared most recently in Straylight and Numéro Cinq. He’s currently teaching writing at UCLA.
Kathryn Para is an award-winning, multi-genre writer with a MFA in Creative Writing from UBC. Her fiction, non-fiction and poetry have been published in Grain, Room of One’s Own, Geist, Sunstream, and Vancouver Review. She is the 2013 Winner of Mother Tongue Publishing’s Search for the Great BC Novel Contest with, Lucky, her first novel, which was also shortlisted for the Ethel Wilson Fiction Prize in 2014. Her stage play, Honey, debuted in 2004. She has also written, directed and produced short films.
A. Anupama is a U.S.-born, Indian-American poet and translator whose work has appeared in several literary publications, including The Bitter Oleander, Monkeybicycle, The Alembic, Numéro Cinq and decomP magazinE. She received her MFA in writing from Vermont College of Fine Arts in 2012. She currently lives and writes in the Hudson River valley of New York, where she blogs about poetic inspiration at seranam.com.
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Steven Axelrod holds an MFA in writing from Vermont College of the Fine Arts and remains a member of the Writers Guild of America (west). Poisoned Pen Press kicked off his Henry Kennis Nantucket mystery series in January, with Nantucket Sawbuck. Steven’s work can be also be found on line at TheGoodmenProject and Salon.com. A father of two, he lives on Nantucket Island where he writes and paints houses, often at the same time, much to the annoyance of his customers. His web site is here. Contact: firstname.lastname@example.org
Tom Faure is an MFA in Fiction student at Vermont College of Fine Arts. His work has appeared in Zocalo Public Square, Splash of Red, Chattanooga Times Free Press, The Journal News, and undergraduate magazines at Columbia University. He lives in New York, teaching English and Philosophy at the French-American School of New York.……….
Natalie Helberg is from Edmonton, Alberta. Some of her experimental work has appeared on InfluencySalon.ca and in Canadian Literature. She recently completed an MFA in Creative Writing with the University of Guelph../
Mary Kathryn Jablonski is a gallerist in Saratoga Springs, a visual artist and a poet, author of the chapbook To the Husband I Have Not Yet Met (APD Press, 2008). Her poems have appeared in numerous literary journals including Salmagundi, Slipstream, Beloit Poetry Journal, and Blueline. Her artwork has been widely exhibited throughout the Northeast and is held in private and public collections.
Patrick O’Reilly was raised in Renews, Newfoundland and Labrador, the son of a mechanic and a shop’s clerk. He just graduated from St. Thomas University, Fredericton, New Brunswick, and will begin work on an MFA at the University of Saskatchewan this coming fall. Twice he has won the Robert Clayton Casto Prize for Poetry, the judges describing his poetry as “appealingly direct and unadorned.”/
Natalia Sarkissian holds a BA and MA in art history, an MBA in international finance and an MFA in Writing from the Vermont College of Fine Arts. Her writing and photographs have been published in the US and Italy by the University of Texas Press, IPSOA publishers, Corriere della Sera, The Huffington Post, Numéro Cinq and other publications. She divides her time between