Aug 152012
 

Herewith a strange and unsettling hybrid demonstration, part-concrete poetry and part-quotation, really two works amalgamated: three audio pieces (Ray Hsu stepping on a poem, a digitally re-produced reading of a definition of  the Ponzi scheme, and a recording of ambient room sound (Ray’s room) and a triptych of text images (drawings using letters)). These audio and visual images are efforts to reframe the relationship of the arts; they create an aesthetic/intellectual surprise, an audio-visual aphorism, if you will. For example, “We Are Ponzi” is a computer-generated reading of a financial description. The reading reframes the text as art (in some way that bespeaks also an angle of critical and ironic reflection thereon); the computer-generated sound distorts the flat reading; the title interacts with the reading mysteriously through the use of the first-person plural pronoun — the text becomes political, a culture commentary (and relates on some way to, say, Kenny Goldsmith’s reading of Brooklyn Bridge traffic reports at the White House).

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The sound of me stepping on a poem one Monday afternoon

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We are Ponzi

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1.01 mins. of room tone from my window on New Year’s Eve

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—Audio & Images by Ray Hsu

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Ray Hsu is co-founder of the Art Song Lab, an interdisciplinary platform that partners 24 writers and composers to create fusions in the genre of art song alongside performers. These new works are workshopped and premiered at the Vancouver International Song Institute’s SONGFIRE Festival in partnership with the Canadian Music Centre. While completing his Ph.D. at the University of Wisconsin-Madison, he taught for two years in a US prison, where he founded the Prison Writing Workshop. Ray is the author of two award-winning books and writing in over fifty publications internationally. His work has been set to music and adapted for film; and he has been artist in residence at the Gibraltar Point International Artist Residency Program.

See Ray’s earlier contribution to Numéro Cinq here.

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May 232011
 

Here are three poems from Ray Hsu in Vancouver that demonstrate wit plus a strange and beautiful talent for expressing mystery, vast spaces, ideas and ancient wisdom in a few terse lines. Ray is originally from Toronto but is currently a post-doc fellow at the University of British Columbia. His first collection, Anthropy, contained a poem on the death of Walter Benjamin (suicide on the Spanish border after his attempt to escape Nazi Europe, as he thought, failed) thus signalling at least in part Hsu’s aesthetic allegiance to the European mode of cerebral, critical, urban poetry of edgy juxtaposition as opposed to the North American penchant for lyric and nature imagery. Barbara Carey, writing in the Toronto Star, called him brainy and eclectic. She wrote: “It’s anthropology remade in the freewheeling, crisply detached style of postmodernism … Hsu’s work resembles that of Anne Carson, the celebrated Montreal writer and classics scholar who combines cultural references to the ancient world with a cool (in both senses of the word) contemporary voice.” His second book, Cold Sleep Permanent Afternoon, was published last year and continues his investigation into what he calls the “grammar of personhood.”

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Three Poems

By Ray Hsu

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Notes to the Border Guard

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The man who would come to be called Confucius: I could see in his eyes that he
wanted something else out of the world.

As I began to move west from the vast plains to the borders of civilization itself into the
state of Qin, I would imagine him moving West too, away from sun behind him.

I told him about the other half of their souls and its depths. Sure, there was on one side:
the one of which Confucius knew, its intricate practicalities.

But on the other was a sprawling forest that sounded like an ancient poem.

When I look up I don’t see gods, but a different kind of order. He has one way of
comprehending this order, but it is among the bustle of this order that I sense another
still.

It eludes the treasure hunters searching for wealth and luck.

When I spoke to the king, even with his warriors far below, I saw that he was afraid.

Or was it the warriors themselves that the king feared? They needed something to
believe in—a spirit or an idea—or else they were nothing to themselves.

I tell the king.

Then I see in the king’s eyes that he knows. Yes, he thinks. I thought that politics was
about me.

No one knows what will happen. But what I have told him is enough for now.

I know that he is a sensitive man, that he may already feel in the wind a hint of the blood
that is in his future.

At the gate, I resist the urge to turn and look back at the kingdom.

This government wants to be so much more. It dreams of all tongues speaking its
language.

But it isn’t up for me to solve. Beneath my skin, I feel a readiness. It feels like an engine.

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Stars in the blue sky before the night’s darkness

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Before I start, you describe to me the brightness of the night sky. I am only an
amateur. Others supply facts, some bother with their points of view.
Some publish theirs as science, some make highly accurate predictions.

Somewhere light is not simply pollution. Different places, different skies: the
Texas Star Party, the Nebraska Star Party. Kitt Peak. The McDonald Observatory.
A sky with no clouds, as dark as it gets around here.

But you reach far out into the night to find me a dark sky. You remind me of Lao
Tzu: When darkness is at its darkestthat is the beginning of all light. What
colours do you find?

I turn on my red light. I put on my glasses, the mirrored kind you wear on
glaciers. No luck: the magnitude for tonight is less than before. It can only get so
dark. One more event horizon: the light we cannot escape. The sky brightens.
These lights are all too human.

You measure me a clear night so I can finally test my vision. Tell me where to
look.

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How to Be Awesome

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“The internet’s completely over. … The internet’s like MTV. At one time MTV was hip
and suddenly it became outdated. Anyway, all these computers and digital gadgets are
no good.” — Prince, The Mirror

Week 1: Syllabus; Course Expectations

Week 2: How to Fake Your Way to the Top

Week 3: How to Spend the Day Playing Video Games

Week 4: Going to Events is More Fun Than Reading

Week 5: How Your Friends Can Get You Published

Week 6: How to Get Into Grad School

Week 7: Theft

Week 8: How to Avoid Professionals

Week 9: How to Predict the Future

Week 10: How to Teach at a Major University

Week 11: How to Become a Wizard

Week 12: How to Refuse a Prize

Week 13: Last Class

—Ray Hsu