Here are some luscious photographs of Paris, not your tourist Paris, but the Paris streets, and not just the Paris streets but a selection of photos that are in many ways a homage to the history of Parisian street photography, that is, photographs with a particularity, an edge, derived from history and impersonation. These are from the Montreal poet/novelist Mark Lavorato (see his poem in the last issue) who started taking pictures as a moment of research for a new novel. He impersonated a 1920s Parisian street photographer who would be a character in his book, and, Lo! he became a photographer himself.
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I was researching my third novel, Burning-In (forthcoming), in which one of my characters is a photographer in the 1920s. What I soon learned in my research is that the art of street photography came before the advent of photojournalism. This was astounding to me; that the art aspect of photography came well before its utility.
I picked up a camera and took to the streets to learn about how my protagonist would feel as a street photographer, and I found that, surprisingly, it was me, and not my protagonist, who was doing all the feeling. So I dove into street photography with all the fascination and intensity of someone discovering a new and rich medium.
— Mark Lavorato
— Mark Lavorato
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Mark Lavorato is the author of three novels, Veracity, Believing Cedric, and the forthcoming Burning-In. His first collection of poetry, Wayworn Wooden Floors, had just been published. One of the poems from that book was published in a previous issue of Numéro Cinq. Mark lives in Montreal and is currently seeking galleries to exhibit his work.