A Letter from Italy,
by Natalia Sarkissian
With Jo
Palazzo Cavalli Franchetti-Santo Stefano entrance
My friend Jo’s husband, Francesco Allegretto, has done the photography in the exhibition catalog for a show in Venice, Lino Tagliapietra: Da Murano allo Studio Glass. Opere 1954- 2011. (Showing from February 19-May 22.)
They invite me to the opening. Since I’m not usually invited to show openings in Venice by insiders—Jo and Francesco live in Venice and are part of the art scene—I hop on the early morning express train from Milan and go, Numero Cinq press tags clicking around my neck.
Palazzo Cavalli-Franchetti, Canal Grande facade
Four hours later, after a train ride, a vaporetto ride and a jaunt through town (I quit the ferry at the wrong stop), when I get to the Cavalli-Franchetti palace where Mr. Tagliapietra’s glass is exhibited, I point to my credentials. Nevertheless, the receptionist looks skeptical. I call Jo; Jo leads me into the luxurious rooms of the fifteenth-century palazzo that has been refurbished and renovated in the intervening centuries, stopping here and there, showing me the beautiful pieces she loves.
Near a sumptuous blue piece she stops. “There he is,” she says, pointing.