Feb 102015
 

Okay, here’s a coincidence that bears telling you all about. Long years ago when I still reviewed books (lots of books), I worked freelance for Larry Kart, then books editor at the Chicago Tribune. In 1995, Larry asked me to be one of the judges for the annual Nelson Algren Short Story Award, which was a very prestigious prize in those days. The other judges were Nicholas Delbanco and Sandra Scofield. The writer we picked for first prize was a 22-year-old Vietnamese immigrant named Dao Strom, who was a student at the Iowa Writers Workshop.

As I say, I had forgotten when I was a judge for the prize and I had forgotten who won (lost in memory — look, a lot happens in life, right?). I do remember the awards ceremony at a very large hotel banquet room in Chicago (I was thinking: What the fuck am I doing here?). I do remember meeting Nicholas because we became friendly acquaintances after that. And at the reception I met Wayne Booth, the eminent author of that great book The Rhetoric of Fiction.

In any case, our new contributing editor Fernando Sdrigotti (in London) put me in touch with Dao Strom (in Portland) a couple of months ago and I invited some work from her. The result is the lovely hybrid memoir we just published today. But it wasn’t till I was noodling around, looking for more biographical details that I noticed she had won the Nelson Algren Award. And then I did remember that the person we gave the prize to was Vietnamese. And then the tumblers began to click, and finally I found an old piece in the Tribune about that particular award, which confirmed what my brain couldn’t.

So after almost 20 years Dao Strom and I meet again through the angelic intervention of Fernando.

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Dao Strom managed not only to make the finals the first year she entered the competition, but also to finish in first place. Of three stories she submitted, “Up Over Boulder Hill” was singled out by the judges, Sandra Scofield, Nicholas Delbanco and Douglas Glover, themselves novelists and short-story writers.

via Cradle Of Writers – Chicago Tribune.

Feb 092015
 

Dao Strom

Herewith an enchanting multimedia (song, image & text) memoir, a piece about childhood, from Vietnam-born singer, songwriter, and author.  The memoir is excerpted from Strom’s forthcoming book We Were Meant To Be A Gentle People and the accompanying album East/West.

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The song (as well as the excerpt/essay) both belong to the same larger project, due to be released/published Summer 2015 by Jaded Ibis Productions — I’m calling it a hybrid book/music project (hard to find a good term for it).

The book is called We Were Meant To Be A Gentle People and the accompanying album is called East/West. The song “Two Rivers” comes from the “West” segment of the album. Inspired initially by a Wallace Stegner story of the same title, the song draws a picture of the meeting point between two rivers and a child’s memories of landscape. I think the song and the photo-autobiography traverse the same thematic and emotional terrain, that of negotiating the space between two streams/landscapes.

The catalog description reads:

More than a book, We Were Meant to be a Gentle People  is a song-cycle working in concert with prose fragments and imagery. The author seeks to articulate two concepts of “geographies” — East and West — and the mythos associated with each, through the lens of a writer/musician of the Vietnamese diaspora. Strom combines multiple mediums of “voice” with an investigation of the intersection between personal and collective histories to elucidates the transition between cultures.

—Dao Strom

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Click to play Dao Strom’s recording of “Two Rivers.”

“Two Rivers” was recorded/produced by Hershel Yatovitz (www.hershelyatovitz.com).

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Dao Strom is a writer and musician based in Portland, Oregon. She is the author of two books of fiction, Grass Roof, Tin Roof and The Gentle Order of Girls and Boys. She has a forthcoming book/music project, We Were Meant To Be A Gentle People (Jaded Ibis, 2015). The New Yorker praised Dao’s last book,The Gentle Order of Girls and Boys, as being “quietly beautiful…hip without being ironic.” She has been the recipient of a National Endowment for the Arts Literature Fellowship, a James Michener Fellowship, and the Nelson Algren Award, among other recognitions. She is a graduate of the Iowa Writers Workshop. She was born in Vietnam and grew up in the Sierra Nevada foothills of northern California.

www.theseaandthemother.com
www.facebook.com/theseaandthemother
www.daostrom.com
twitter: @daostrom

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