Adam Regn Arvidson has completed his epic (nearly a year) exploration of nature writing in America, including essays on Edward Abbey, Wendell Berry, Rachel Carson, Edward Hoagland, Joseph Wood Krutch and Loren Eiseley plus a special craft essay/digression on imagery and invective (in the work of Edward Hoagland). Adam also explores the profound political and cultural effect this particular kind of nonfiction prose has had—these nature writers have altered the way with think about the land we live in (we are talking about the invention of Green). In the last year, Adam also had a new son and completed a nonfiction book on landscaping and the environment that will be published by W. W. Norton this fall. —dg
Loren Eiseley’s Two Cultures
Edward Abbey’s Access to Wildness
The Enigmatic Edward Hoagland
Criticism Through Imagery
The Power of Rachel Carson
Joseph Wood Krutch’s Natural Personality
The Place of Wendell Berry
Adam Regn Arvidson
is a landscape architect and writer in Minneapolis. He has published numerous articles on design, planning, and landscape in a variety of magazines, including Landscape Architecture, Minnesota Conservation Volunteer, Planning, and Metropolis. He is founder of Treeline, a design/writing consultancy that assists public and private clients in telling the story of their land through landscape architecture and writing deeply rooted in place. In 2009 Adam won the Bradford Williams Medal, the nation’s highest award for landscape architectural writing, and he has a book forthcoming on environmental practices in the nursery and landscaping industry (W.W. Norton, 2012). This fall, Adam will be inducted as a Fellow of the American Society of Landscape Architects. He is currently pursuing a Master of Fine Arts in Creative Nonfiction at the Vermont College of Fine Arts.
So wonderful to see this project develop into fruition, Adam. It’s really a beautiful series.
This is fantastic!
Great series, Adam. Congratulations and thank you!
So pleased to read these all in one sitting, and intend to reach for these authors, some again, some for the first time. Thanks, Adam.