Numéro Cinq at the Movies: Ruth Meehan’s “And the Red Man Went Green,” Introduced by R. W. Gray

Sep 222011
 

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Ruth Meehan’s And the Red Man Went Green brings the chaos and potential of one day down to a single moment crossing a street. Though it’s not ostensibly about a kiss, the narrative has much in common with Chekhov’s short story “The Kiss,” in which a young soldier is accidentally kissed by a woman, sending a shudder of changes through his plain life.

The director Richard LaGravanese also found inspiration in Chekhov’s short story for the key moment when his protagonist in the film Living Out Loud (starring Holly Hunter–the movie was originally called The Kiss) is surprised out of the grief she is suffering at the loss of her twenty-year relationship.

Each of these stories touches on sudden moments when strangers are accidentally and sometimes unconsciously there for one another.

>Meehan is an Irish writer / director and she has shot several short films. And the Red Man . . . is her second short and it did well at festivals, winning the Special Jury prize a the Tehran film Festival and the Prix Canal+ at Brest.

If you enjoy Meehan’s very short film, you can see another by her (based on a true story about an adventurous cat) here:
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—RWGray

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A Sentimental Education

Aug 202010
 

DG and the blue dog heading into the woods together

Strange the things that educate our emotional responses to life. I just finished a draft of the story called “Uncle Boris up in a Tree.” One of the characters, Bjorn, the straight arrow, buys a bright yellow Land Rover. The yellow Land Rover is, for me, a dream image, a symbol. But the “Land Rover” part doesn’t seem right. I think and think. I realize I meant it to be a yellow Rolls Royce. Rolls Royce seems right. And later I remember that when I was a kid I loved that movie The Yellow Rolls Royce, that for years I played the soundtrack over and over. The Yellow Rolls Royce is an unusual movie. It’s a triptych,  three different love stories connected only by the object, the image, the yellow Rolls Royce. I think the dramatist Terence Rattigan wrote the script. Very romantic, sentimental, sad. So then I realize that this movie, and the emotional education I derived from it, stands unconsciously behind the story. The yellow Land Rover is the clue. And I think there is a certain attitude to life and love that I try to get at in the story that comes from the feelings I got from that movie and the music, when I was a kid (and maybe I haven’t grown up so much).

Here are two of the songs from the soundtrack. “Forget Domani” and “Now and Then” (this one still shakes me). I think Riz Ortolani wrote the music. Katyna Ranieri sings.

dg

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