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WINDOW
What we call the soul
the space between out there
& in here—a life
cut itself in two gradually
joins in the middle, a beetle clung
to the grid of the wire screen
clicking merely flesh—
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PROVIDENCE
No experience song enough
like the warm skin of peaches
what we’re marked by
light or the ground beneath
an arcade of trees
holds together precisely
a world neither of us can move
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PASTORAL
As bright as each of us stands below the sparrows’ gifted
noon, our being here nothing but time’s abrupt
dissolve however swallowed—I ask you
remember for me how we are able to heal from
everything that pains us
wore down to desire
paid heed—what makes us more aware or grateful for
rain-soaked streets no more vanished than
youth’s certain toll—distance drawn out
over the hand come to rest on our shoulders
replays the handsome music we carry to the dogs—
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FOR THEODORE ROETHKE
If the dead cry out our memory’s voice
thrown down on muddy banks the river itself
skirts, if washed over stones the son recovers
the father shook to rage the son’s smallest song
lay under, say something, said was it light run
over us the way to the greenhouse, was it light
inside goodbye, old stones and the flowers
push their breath through me, went cold
the way it would feel asking for more than
my gorgeous scuttle beneath him, hid
behind rows of elms he planted further from
the roses along the old bed, if the earth was soft
enough, if married his hands, if it was winter
ended through the clear air I could hear him—
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PSALM
The earth turns along the scented irises
along the birches the body moves
nearer the fire in a deep grove
a kind of music each ear bore with it
our hiding our spit our having known
more than evenings sailed against our ribs
other bodies not us against the full light
a mangled bird raises her one speaking wing
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WITNESS
A morning difficult to walk across
the slain crocuses a song
or a silent movie
a memory of a wound
floated out to sea
at the beginning of the war
the fields covered by searchlights
at the edge of a garden before we were born
the shades drawn against
what shook the walls of the house
while the soldiers played cards
moved farther away from the coast
the lid rolled closed over the keyboard of a piano
the facts of history which we do not believe
for a moment we are among friends
—Kenneth E. Harrison, Jr.
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Kenneth E. Harrison, Jr.‘s poems have appeared in Cutbank, Denver Quarterly, Drunken Boat, Pleiades, Sukoon, and other journals, and his essays in PopMatters. He teaches writing and Literature courses at Webster University and Florissant Valley Community College in St. Louis, MO.
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Luminous!