The Bride Stripped Bare by her Bachelors Even (The Large Glass),
1915-1923; notice the cracked panes in the bottom half.
The Forte-May debates on Numéro Cinq have tipped me over into a fascination with Marcel Duchamp. Whenever people get into a debate, it’s always good to dive beneath the surface and teach yourself something and come to an individual conclusion. Here’s the second interview I’ve put up here in two days. Duchamp is surprisingly personable and amiable, and, as he tells his story, quite reasonable. Watching these interviews you get a sense of traditions and movements clarified through his history and his relationship with movements. This interview is in English and doesn’t display any images.