Oct 272010
 

 

 

ENTRIES ARE OFFICIALLY CLOSED

Entries close midnight Sunday, November 21.

 

The First Annual Numéro Cinq Rondeau Writing Contest opens for entries November 1 (midnight tonight as of this writing). The rondeau is a slightly intricate little form (see preamble and definitions below). You should not attempt to write one under the influence of intoxicants or while using a cell phone (unless you are writing it on your cell phone). Also do not attempt to operate heavy machinery while composing your rondeau. Don’t shy away from trying a rondeau just because you consider yourself a rhyme & rhythm-challenged prose-writer. Fiction and nonfiction writers always need a dash of form in their lives, something to make them sit up straight (or just to jar the gears loose). As with all the NC contests, there is a method behind the madness. Beyond the discipline of form, we discover the freedom of aesthetic space. Every contest is a teaching moment, a formal lesson, and a moment of unleashing (paradoxical as that seems). Also, if you look at our previous contests, you will see that they are fun. Submit entries by typing them into the comment box beneath this post.

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Oct 262010
 

lieutenant-colonel-john-mccraeThe first poem I can recall, aside from nursery rhymes, was a rondeau written by a Canadian artillery officer (and medical doctor), John McCrae, in 1915. It’s also the first poem I ever memorized. I can still remember the words written on the blackboard. This was a different world. We still sang God Save the Queen before classes started and recited the Lord’s Prayer, and there was always a Union Jack and a picture of the Queen prominently displayed. And every November there would be men or women in blue blazers and berets at the bank door in Waterford with trays of poppies. I remember being very proud of myself for memorizing the poem. And on Remembrance Day, we were all (brothers & parents) going to town for the ceremony at the cenotaph. We stopped to pick up an elderly neighbour who lived alone in a little house at the edge of our farm. He was a retired teacher and classicist, living quietly with his books. I was sitting in the backseat with my father and brothers and cheerfully began to rattle off the poem in a boyish singsong. My father gave my arm a squeeze and shushed me and whispered: “Not now. His son died in the war.” I shut up, confused, suddenly aware, acutely aware, that literature isn’t just words on a page but somehow rooted in our personal lives, in our deepest feelings about love, loss and death. I think it hadn’t occurred to me before that people actually died in the war. I didn’t, of course, know the poem was a rondeau, but the form itself has sunk deep into my brain. McCrae was born in Guelph, Ontario, a university town about 50 miles from where I grew up. He had fought with the Canadian artillery in the Boer War but spent his civilian years as a pathologist in Montreal. When the First World War broke out, he went back into the artillery. He was still with the guns when he wrote the poem (the story goes that he wrote it sitting in an ambulance after watching a friend die). But soon after he was called to hospital duty where he subsequently died of pneumonia at the age of 45.

dg

In Flanders Fields

In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.

We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie
In Flanders fields.

Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.