Amanda Jernigan and her husband John Haney collaborate here on a gorgeous photograph and poem combination, the photograph providing the inspiration or focal point for the poem which is an irregular sonnet, a gorgeous thing, that builds its power through a series of contrasts, contradictions, and denials: delivered/abandoned, surreptitious/scandalously bright, dying swans sing sweetest/swans aren’t known to sing, never spoken/never taken back, (white — note: a word not used in the poem)/black.