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Numéro Cinq at the Movies: Ekaterina Vorobyeva’s “Entire World is Mine,” Introduced by R. W. Gray | Numéro Cinq
There's something Proustian in this largeness contained in small things, something akin to petites madeleines or mother kisses at bedtime. It's about remembrance and bodily memory. In “Entire World is Mine,” when the boy puts his hand under the water he could just be washing. Only my own memory of wet frozen fingers under hot water makes me remember and imagine the boy's fingers must feel needled as they warm up suddenly.