Numéro Cinq

Vol. II, No. 12, December 2011

• Tainted Success and the Heroes of Martin Scorsese: Essay — Philip Marchand
• NC at the Movies: John Cage’s 4′33” (full orchestral version)
• Everything Starts With Language: Review of Gary Lutz’s divorcer — Jason DeYoung
• Numéro Cinq at the Movies: Jason Eisener’s Treevenge, Introduced by R. W. Gray
• Amphetamine Heart: Poems & Readings — Liz Worth
• The Fairy Tale of Dexter Arjuna, President-Elect: Short Story — Adam Lewis Schroeder
• L’Immacolata: The Feast of the Immaculate Conception in Liguria, Italy — Natalia Sarkissian
• Making the Little Monsters Walk: Interview with Brad Watson — Richard Farrell
• From Aliens in the Prime of Their Lives: Fiction — Brad Watson
• Numéro Cinq at the Movies: Jane Campion’s The Water Diary, Introduced by R. W. Gray
• Lady Day: Fiction — Xu Xi
• Sprezzatura with Two Rabbits: Poem — Alan Michael Parker
• The In-Between Generation: Review of Kazushi Hosaka’s Novel Plainsong By Brianna Berbenuik
• Plainsong: Novel Excerpt — Kazushi Hosaka
• Charmed Objects: Poetry and Childhood | Essay — Nancy Eimers
• Numéro Cinq at the Movies: Pedro Pires’s Danse Macabre, Introduced by R. W. Gray
• Arise and Go Now: Short Story — Sheridan Hay
• Childhood: Essay — Liz Blood
• A Feeling for the Model Organism: Essay — Lynne Quarmby
• And Make Mine a Double: Interview with Keith Lee Morris — Richard Farrell
• Ayudame: Short Story — Keith Lee Morris
• Numéro Cinq at the Movies: Chris Milk’s The Wilderness Downtown, Introduced by R. W. Gray

Vol. II, No. 11, November 2011

• The Answer I Found in a Fortune Cookie: Toward a Digital Conception of Nonfiction — John Proctor
• Mississauga: Cadence of Desire and Return, A Childhood Geografictione — Cheryl Cowdy
• Girl Wearing Bear, or Elle, the Poem — John Watson
• Peering over the Precipice, A Review of Fall Higher by Dean Young — A. Anapuma
• Numéro Cinq at the Movies: John Bolton’s “Breakdown,” Introduced by R. W. Gray
• Bermuda Voices, Island Writers: Essay — Kim Aubrey
• The Struggle for the Centre: One City’s Adventure With Modernity — Nathan Storring
• On the Prayerful in Poetry: Essay — William Olsen
• From Colourless Green Ideas Sleep Furiously: Essays — Mark Frutkin
• Book of Raunch: A Review of Nicholson Baker’s House of Holes — Steven Axelrod
• Numéro Cinq at the Movies: Chris Milk’s “Who’s Gonna Save My Soul,” Introduced by R. W. Gray
• More Adventures at the Bottom of the World — Laura Von Rosk Reports from Antarctica
• Lipstick and Cigarettes: A Short Play — Dwight Storring
• The Feast of Sacrifice: Eid-al-Adha at Alexandria, Egypt — Natalia Sarkissian
• The Devil’s Dictionary for Writers — Steven Heighton
• Numéro Cinq at the Movies: Julie Trimingham’s film triptych “beauty crowds me,” Introduced by R. W. Gray
• Marilyn McCabe Translates (& Sings) a Paul-Armand Silvestre Poem (Music by Gabriel Fauré)
• What It’s Like Living Here — from Danila Botha in Toronto
• What it’s like living in Antarctica — from Laura Von Rosk at McMurdo Station
• Numéro Cinq at the Movies: Spencer Susser’s “I Love Sarah Jane,” Introduced by R. W. Gray
• Becoming-masks: The Life and Times of Captain N. at n – 1 Dimensions: Essay — Cheryl Cowdy
• Why do we burn books? or, The burning question of our movement: Essay — Noah R. Gataveckas

Vol. II, No. 10, October 2011

• Look at the Camera, A Journey through Childhood’s Photographic Space — Eric Foley
• Hurricane Irene—What It Was Like, from Hilary Mullins in Bethel, Vermont
• Numéro Cinq at the Movies, Halloween Edition: Andres Muschietti’s “Mama,” Introduced by R. W. Gray
• Three Poems — Blanca Castellón
• Joseph Wood Krutch’s Natural Personality: Nature Writing in America — Adam Arvidson
• Consider Desire: Poems — Leslie Ullman
• Numéro Cinq at the Movies: Jan Kounen’s “The Story of Panshin Beka,” Introduced by R. W. Gray
• Our Endless Past: An Interview with Donald Breckenridge — Mary Stein
• Eternal Recurrence: The Permanent Relevance of William Butler Yeats’s “The Second Coming” | Essay — Patrick J. Keane
• Numéro Cinq at the Movies: Trevor Anderson’s “The Island,” Introduced by R. W. Gray
• The Perplexing Other: A Review of Dorianne Laux’s The Book of Men — A. Anupama
• Shame: Short Story — Benjamin Woodard
• The Man with the Bagful of Boomerangs in the Bois de Boulogne: Short Story — Joseph McElroy
• Immersed in Mystery: Review of Joseph McElroy’s Night Soul and Other Stories — Jason DeYoung
• Numéro Cinq at the Movies: Miranda July and Miguel Arteta’s “Are You the Favourite Person of Anybody?” Introduced by R. W. Gray
• Mucking Up the Landscape: Poetic Tendencies in Prose | Essay — Mary Stein
• Childhood: An Essay in Writing Myself — Rick Martin
• The Filthiest of Shiny Things: Fiction — Carrie Cogan

Vol. II, No. 9. September 2011

• Searching for a Literary Burning Man, By Wendy Voorsanger
• Numéro Cinq at the Movies: Jane Campion’s “Passionless Moments,” introduced by R. W. Gray
• Postcards from Italy: Lake Como, September 2011, by Natalia Sarkissian
• The Power of Rachel Carson: Nature Writing in America — Adam Regn Arvidson
• The Courage to Write and Publish Your Story: Five Reasons Why it’s Important to Write Memoir, By Sue William Silverman
• Writing a War Story, An Essay by Richard Farrell
• Numéro Cinq at the Movies: Ruth Meehan’s short film And the Red Man Went Green, introduced by R. W. Gray
• A “Dark Star” Passes Through It, an Essay by Leslie Ullman
• An Alien Feeling, from Sion Dayson in Paris
• We Flew Kites, a Bermuda Childhood — Kim Aubrey
• Translations of Classical Tamil Love Poetry, Essay and Poems by A. Anupama
• Keeping Silent? Writing Fiction After September 11, Essay by Erika Dreifus
• Siena’s Palio: A Medieval Horserace Turns Viral, Text and Photographs by Natalia Sarkissian
• 8:46, A 9/11 Story by Philip Graham

Vol. II, No. 8, August 2011

• Wan, A Short Story by Dawn Promislow
• “Couplets (in Meditation of Self-Defeat)” and “Western Tenet,” Poems by Benjamin Evans
• Jean Valentine, Jayne Cortez, Gary Soto, Amiri Baraka, Ed Sanders & More — Photos by Dan Wilcox
• “A Diminished Thing” and “Pincushion Doll,” Poems by Julie Larios
• We’re the All-Singing, All-Dancing Crap of the World, or: You’re Doing It Wrong – The Fight Club Identity Crisis by Brianna Berbenuik
• Two Stories Not-Exactly-About Love: Fiction — Danila Botha
• Saddened and Riddled with Nostalgia — Douglas Glover
• The Cimbalom Player, a Short Story by Julie Marden
• Poems from Domestic Love — Karen Mulhallen
• From The Crimes of Hector Tomás by Ian Colford
• What It’s Like Living Here — from Allison Kaufman in Connecticut
• Four Poems By Sheryl Luna
• My Owls, Essay, Photos & Video from Kathryn Kuitenbrouwer
• Tahrir Square, August 2011: Photographs by Natalia Sarkissian
• From Seawrack: Poems by David Helwig
• From Field Rations, Poems by Melinda Thomsen
• Sontag & Kael: Criticism is demolition? an essay by Michael Bryson

Vol. II, No. 7, July 2011

• The Day After the Memoir: An Interview with Steven Church — John Proctor
• In Search of the Author, Barthes Be Damned: Review of The Selected Stories of Mercé Rodoreda — Richard Farrell
• Winter Coat, Winter Count (Assiniboia Death Trip): Short Story — Mark Anthony Jarman
• Rintrah: Essay upon a Cat — Patrick J. Keane
• The Memory of Water: Poems — Jack Myers
• The Plumber’s Dream: Short Story — Ben Johnstone
• In Hell We All Burn Brightly: Bret Easton Ellis’s Empire vs. Post-Empire — Brianna Berbenuik
• Categories of Untruth: the CNF debate continues — Adam Regn Arvidson
• Katahdin & Other Poems — Sharon McCartney
• Chatting with ET: Dialogue between The Actual and The Possible: Essay — Lynne Quarmby
• Criticism Through Imagery: Nature Writing in America — Adam Regn Arvidson
• Three Poems — Eliot Khalil Wilson
• The Sky Is Red at Bordeaux: Photographs — Natalia Sarkissian
• The Policeman’s Wife: Poems — Marina Endicott
• My First Job — Steven Axelrod
• The Formalist Reformation | Review of Viktor Shklovsky’s Bowstring: On the Dissimilarity of the Similar — Bruce Stone
• From Bowstring: On the Dissimilarity of the Similar — Viktor Shklovsky, Translated by Shushan Avagyan
• Writing Instruction as a Social Practice: or What I Did (and Learned) in Barrancabermeja — Diane Lefer
• From Chloe Jarren’s La Cucaracha — Matthew Stadler
• Almost Independence Day: Nonfiction — Richard Farrell
• Alice & Huck: Screenplay — R. W. Gray

Vol. II, No. 6, June 2011

• A Rake’s Progress: Essay — Susan Olding
• Katie Vibert: ICÔNES NORDIQUES
• Narrative Genres and THE ADMINISTRATION OF CONSCIOUSNESS: The Case of Daisy Goodwill’s Rebellion | Essay — María Jesús Hernáez Lerena
• Marilyn McCabe Sings (& Translates) a Guillaume Apollinaire Poem
• The Immortality of the Crab: Nonfiction — John Proctor
• Egypt After the Revolution, Part II: Photographs — Natalia Sarkissian
• Flaubert and Cows: Essay — Mary Stein
• About Face: On Class Reunions and Reading Salter | Essay — Richard Farrell
• The Book of Happenstance: Fiction — Ingrid Winterbach
• Summoning Eternity: Review of Ingrid Winterbach’s The Book of Happenstance — Jacob Glover
• My First Job: Essay — Melissa Fisher [Winner of the 3 Quarks Daily $1,000 Arts & Literature Prize]
• Knowing What Happens: Interview with Mavis Gallant — Jason DeYoung
• Gunslinger & Angel of Death: Fiction — Casper Martin
• The Enigmatic Edward Hoagland: Nature Writing in America — Adam Arvidson
• James Agee’s Unconventional Use of Colons: Essay — Anna Maria Johnson
• Star Suite: Poems — Gary Moore
• es muss sein? es muss nicht sein, i tell you: Poem — Brianna Berbenuik
• My First Job: Essay — Natalia Sarkissian
• Whirlpool (All Tremors Cease): Underwater Video Meditation — Steven David Johnson & Anna Maria Johnson
• St. John’s, Newfoundland: Photographs — Nicole Dixon
• Crisp: Short Story — R. W. Gray

Vol. II, No. 5, May 2011

• Titboning Vargina (and Other Social Readings): Review of Sam Lipsyte’s The Ask — Darryl Whetter
• Three Poems — Maya Sarishvili
• Two Rivers: Fiction — T. Greenwood
• The Confluence of Rivers: An Interview With Tammy Greenwood — Richard Farrell
• God’s Flea: A Play — Diane Lefer
• Three Poems — Ray Hsu
• Waiting For Romesh: Short Story — Clark Blaise
• Reasons to Rejoice in Green Algae: Essay — Lynne Quarmby
• What It’s Like Living Here — Stanley Fogel’s Cuba
• Move It or Lose It: Essay — Martin Balgach
• Where are today’s Steinbecks? | Essay — Mark Lupinetti
• Kilroy: A Writer’s Childhood — Keith Maillard
• Childhood — Court Merrigan
• What It’s Like Living Here — Danielle Frandina in San Francisco
• Three Poems — Kim Fu
• Zone: Fiction — Mathias Énard
• This Ancient World: Review of Mathias Énard’s Zone — Mary Stein
• What It’s Like Living Here — Diane Lefer in Los Angeles
• What It’s Like Living Here — Laura Catherine Brown in Manhattan
• Jesus Was a Punk Rocker: Short Story — Danila Botha
• Foran’s Version: Review Charles Foran’s Mordecai: The Life and Times — Darryl Whetter
• Will, Kate & Osama: Jean Baudrillard on Royal Weddings and the Death of bin Laden: Essay — Richard Farrell
• Poems by Cesare Pavese — Translated by Richard Jackson
• Egypt After the Revolution: Photographs — Natalia Sarkissian
• And the Sign Said: Photographs — Melissa Fisher

Vol. II, No. 4, April 2011

• What It’s Like Living Here — Liz Blood in Gunsan, Jeollabuk-do, South Korea
• Sabah Al Khair Habibti: Collage — Natalia Sarkissian
• Five Photographs — Robert Semeniuk
• POIESIS OF THE PAST: A historian’s reading of the short story ‘Youth, a narrative’ by Joseph Conrad — J.N.F.M. à Campo
• Three Prairie Schooner Edward Stanley Award-Winning Poems — Nance Van Winckel
• The Sixty-Five Years of Washington: Fiction in Translation — Juan José Saer
• Elegant Uncertainty: Review of Juan Jose Saer’s The Sixty-Five Years of Washington — Richard Farrell
• DNA: Novel Excerpt — Johannah Rodgers
• Stem Cells and the Fountain of Youth: Essay — Lynne Quarmby
• Kindred Spirits, 400 Years of an American Family: Nonfiction — Joe David Bellamy
• The I(r)onic Bond, a Chemical Romance: Micro-Fiction — Jonah Glover
• Long Point, a Geography of the Soul, Collected by Douglas Glover
• Four poems from Otherwise Elsewhere — David Rivard
• The Substitute, from Lynne Tillman’s Someday This Will Be Funny
• Mixes and Collisions: A Numéro Cinq Interview With Mark Anthony Jarman — Mary Stein
• Childhood: Essay — Cynthia Newberry Martin
• Forever: Poem — Sydney Lea
• Wanna Groom? Review of Sex at Dawn — Darryl Whetter
• Escape Mushroom Style: Fiction — Trinie Dalton
• What it’s like living here (a Charticle) — Kate Reuther in New York City
• Edward Abbey’s Access to Wildness: Nature Writing in America — Adam Regn Arvidson

Vol. II, No. 3, March 2011

• On the Hunt for Elusive Literary Game: the Premio Bagutta, Italy’s Oldest Literary Prize — Natalia Sarkissian
• Blind Spots: Essay — Richard Farrell
• from Fatherless: Memoir — Keith Maillard
• Shades and Mirrors: Character Gradation in the Novel — Vanessa Blakeslee
• Speculating on Divinity Genes: Review — Peter Chiykowski
• Four Poems from Oz — Nancy Eimers
• What It’s Like Living Here — from Mary Donovan in Wheaton, Maryland
• The Blue Guitar: Novel Excerpt — Ann Ireland
• The Dayroom: Essay — Inmate #6666666Z, Texas Department of Corrections
• Excerpt from Trail of Breadcrumbs: Why I Joined and Left the US Navy — Memoir by Christy Clothier
• Now the Green Blade Rises: Sermon — Maggie Helwig
• The Soul’s Habitation: Emotion and Writing — Richard Farrell
• The Infinite: Poem — Giacomo Leopardi, Translated by Richard Jackson
• Let’s See Them Top That (And Other Neat Things To Do In Las Vegas): Essay — Brianna Berbenuik
• Weathers and Places: Essay — Sydney Lea
• Ginsberg, Ferlinghetti, & More: Author Photos — Dan Wilcox
• Shooting Guns: Essay — Brianna Berbenuik
• Evidence of Life: Essay — Richard Farrell
• Translation, Adaptation and Transformation: The Poet as Translator — Richard Jackson
• What It’s Like Living Here — Kim Aubrey in Saskatoon, Saskatchewan
• Gregor: A Short Story — Quim Monzó
• What It’s Like Living Here — John Proctor in New York City
• I Am a Landscape of Desire: Gender, Genre and the Deconstruction of the Textuality of Empire in Douglas Glover’s Elle | Essay — Pedro M. Carmona Rodríguez
• Loren Eiseley’s Two Cultures: Nature Writing in America — Adam Regn Arvidson
• The Quirky Bird Art of Paula Swisher — Anna Maria Johnson
• Deforming Form: Outlier Short Stories and How They Work — Richard Farrell
• David Levithan’s Argot of Arousal: Review — Darryl Whetter

Vol. II, No. 2, February 2011

• Ridin’ the Rail: The Ending of Huckleberry Finn Revisited — Gary Garvin
• The Real McCoy: Essay — Renee Giovarelli
• Convergences: Memories Involving The Waste Land Manuscript: Essay — Patrick J. Keane
• Introduction: Nature Writing in America — Adam Regn Arvidson
• A Letter from Italy — Natalia Sarkissian
• Childhood — Michelle Berry
• What It’s Like Living Here — Cheryl Wilder in Raleigh, North Carolina
• Niagara: Short Story — Michael Bryson
• What It’s Like Living Here — Richard Farrell in San Diego, CA
• Poems — Elaine Handley, Marilyn McCabe & Mary Sanders Shartle
• Rue Rouge: Fiction — Connie Gault
• A Letter from Italy — Natalia Sarkissian
• Childhood — Brad Green
• The Author and the eBook: Essay — Ian Colford
• Three Poems from The Pillow Books — Karen Mulhallen
• Riffing on Whirlpools: Photographs & Text — Anna Maria Johnson & Steven David Johnson
• Lives of the Saints: Short Story — Jess Row
• Four Poems from Sand Theory — William Olsen
• Douglas Glover’s Elle: A Menippean Satire — Haijo Westra & Adam Westra
• What It’s Like Living Here — Anna Maria Johnson and Steven David Johnson in Cootes Store, Virginia

Vol. II, No. 1, January 2011

• Domenic Stansberry’s Noir Manifesto
• Godliness, at Last: Reflections on The Challenger Disaster — Richard Farrell
• What it’s like living here — from Sarah Seltzer in New York City
• Missing Dad — Natalia Sarkissian
• Cross-Canada Car Photo Essay by Barrett Olson-Glover
• What It’s Like Living Here — from Lynne Quarmby in West Vancouver, British Columbia
• Amanda Jernigan: Five poems from Groundwork
• Childhood — Steven Axelrod
• What It’s Like Living Here — Gwen Mullins in Chattanooga
• Five Movements of the Soul and Hodgepodge: Poems — Habib Tengour, Translated by Pierre Joris
• What It’s Like Living Here — Michelle Berry in Peterborough, Ontario
• What It’s Like Living Here — Jeanie Chung in Chicago
• Plot Structure in Short Stories: Essay — Gwen Mullins
• From THE LAME DOLL: Poem — Besik Kharanauli, Translated from Georgian by Timothy Kercher and Ani Kopaliani
• Richard Farrell’s Non-Commencement Commencement Address, Vermont College of Fine Arts MFA in Writing Graduation, January, 2011
• Laurianne’s Choice: Short Story — Ian Colford
• Quality Time on the Bay of Silence, Sestri Levante — Natalia Sarkissian in Italy

Numéro Cinq’s unique and unparalleled collection of short films and commentary edited and (mostly) written by R. W. Gray. Other contributions from Jon Dewar, Douglas Glover, Sophie Lavoie, Philip Marchand, Megan MacKay, Jared Carney, Erin Morton, Julie Trimingham, Michael V. Smith, Nicholas Humphries, and Taryn Sirove.

• Numéro Cinq at the Movies: Bison’s film for Bonobo’s “Kerala,” by R. W. Gray
• Ruth Meehan’s Short Film And the Red Man Went Green by R. W. Gray
• Jane Campion’s Passionless Moments by R. W. Gray
• Miranda July and Miguel Arteta’s Are You the Favourite Person of Anybody? by R. W. Gray
• Trevor Anderson’s The Island by R. W. Gray
• Jan Kounen’s The Story of Panshin Beka by R. W. Gray
• Andres Muschietti’s Mama by R. W. Gray
• Spencer Susser’s I Love Sarah Jane by R. W. Gray
• Julie Trimingham’s film triptych beauty crowds me by R. W. Gray
• Chris Milk’s Who’s Gonna Save My Soul by R. W. Gray
• John Bolton’s Breakdown by R. W. Gray

• Chris Milk’s The Wilderness Downtown by R. W. Gray
• Jane Campion’s The Water Diary by R. W. Gray
• Pedro Pires’s Danse Macabre by R. W. Gray
• Jason Eisener’s Treevenge by R. W. Gray
• John Cage’s 4′33” by Douglas Glover
• Tainted Success and the Heroes of Martin Scorsese by Philip Marchand
• Wong Kar Wai’s There’s Only One Sun by R. W. Gray
• Tom Tykwer’s Faubourg Saint-Denis by R. W. Gray
• Alicia Duffy’s The Most Beautiful Man in the World by R. W. Gray
• Ang Lee’s The Chosen by R. W. Gray

• Toby MacDonald’s Je t’aime John Wayne by Jon Dewar
• Amorous Delays, Cyborg Women, Writing, and Traveling Trains of Longing by R. W. Gray
• Nicholas Humphries’s The One That Got Away by R. W. Gray
• Rodrigo Gudiño and Vincent Marcone’s The Facts in the Case of Mr Hollow by R. W. Gray
• Erika Janunger’s Weightless by R. W. Gray
• Chris Russell’s Zombie in a Penguin Suit by Jon Dewar
• Jamie Travis’s The Armoire by R. W. Gray
• This Is It Collective’s Don’t Hug Me I’m Scared by R. W. Gray
• Lucrecia Martel’s Muta by Sophie Lavoie
• Godfrey Ho’s Catman in Boxer’s Blow by Megan MacKay

• Jamie Travis’s Seven Sins: Greed by R. W. Gray
• Everynone’s Words by R. W. Gray
• Isabella Rossellini’s Seduce Me: Noah’s Ark by R. W. Gray
• Eddie White and Ari Gibson’s The Cat Piano by Jon Dewar
• Johan Renck’s Pass This On by R. W. Gray
• The Hit, The Film & The Novel — Russell Working (Writer, Actor, Director, Producer) by Douglas Glover
• The goldfish in Miranda July’s Me and You and Everyone We Know by R. W. Gray
• Roman Polanski’s A Therapy by R. W. Gray
• Alexander Payne’s 14e Arrondissement by R. W. Gray
• Bryn Chainey’s film for Alcoholic Faith Mission’s Legacy by R. W. Gray

• Wong Kar Wai’s Chungking Express by R. W. Gray
• Jamie Travis’s The Saddest Boy in the World by R. W. Gray
• Lucrecia Martel’s Pescados by Sophie M. Lavoie
• Abbas Kiarostami’s Where is my Romeo? by R. W. Gray
• Adrián Cardona, Rafa Dengrá & David Muñoz’s Brutal Relaxation by Jared Carney
• Guy Ritchie’s Un Rendez Vous by Jon Dewar
• Ekaterina Vorobyeva’s Entire World is Mine by R. W. Gray
• Andreas Pasvantis’s December by R. W. Gray
• Nicholas Humphries and Meagan Hotz’s Little Mermaid by Nicholas Humphries
• Alice Winocour’s Kitchen by R. W. Gray

• Igloolik Isuma Productions and Félix Lajeunesse & Paul Raphaël’s Tungijug: What We Eat by Erin Morton and Taryn Sirove
• Woodkid’s I Love You by R. W. Gray
• Wes Anderson’s Hotel Chevalier by R. W. Gray
• Zombie Longings: Bruce LaBruce’s Otto, or Up With Dead People by R. W. Gray
• Daryl Wein’s Unlocked by R. W. Gray
• Dash Shaw’s Seraph by Nicholas Humphries
• Love at First Sight, or The Problem of Beginnings by R. W. Gray
• Ryan McGinley’s Varud by R. W. Gray
• David Cronenberg’s Camera by Jon Dewar
• Denis Villeneuve’s Next Floor by Jared Carney

• Alexander Carson’s We Refuse to be Cold by R. W. Gray
• Patrice Leconte’s Girl on a Bridge by R. W. Gray
• Michael Venus’s Parasite Single’s “The Hunt” by R. W. Gray
• Matthew Brown’s Mother’s Song by R. W. Gray
• Ryan Cockrell’s Fishhooks | Introduction & Interview by R. W. Gray
• The Full Monty: Notes on Narrative Form — Douglas Glover
• David Cho’s Where We Are by R. W. Gray
• Justin Anderson’s Jumper by R. W. Gray
• What I Make of Movies, and What They Make of Me: Rosebud by Julie Trimingham
• What I Make of Movies, and What They Make of Me: The Horror by Julie Trimingham

• What I Make of Movies, and What They Make of Me: Raising Hell by Julie Trimingham
• Four Weddings and a Funeral: Notes on Narrative Form by Douglas Glover
• Beauty, Travel, and Death in Paolo Sorrentino’s The Great Beauty by R. W. Gray
• Awe, Wonder & the Sublime in Filippo Baraccani’s The Approximate Present by R. W. Gray
• Lucrecia Martel’s La ciudad que huye by Sophie M. Lavoie
• Numéro Cinq at the Movies: Eugene Green’s Le Pont des Arts by R. W. Gray
• Wong Kar Wai’s Secrets, or My Sense of an Ending by  R. W. Gray
• Lisa Gunning’s Tales of Us by R. W. Gray
• Roy Andersson’s World of Glory by R. W. Gray
• Roman Coppola and Wes Anderson’s Candy by R. W. Gray

• Grasshoppers & Tiny Doors: Directors Jared Carney and Nicholas Humphries On Horror
• Sofia Coppola’s Lick the Star by R. W. Gray
• Temujin Doran’s Sum by R. W. Gray
• hitRECord’s Adieu by R. W. Gray
• Darwin Serink’s ABAN + KHORSHID by R. W. Gray
• James W. Griffiths’s Room 8 by R. W. Gray
• Yulia Mahr’s Path 5 (delta) by R. W. Gray
• R.W. Gray’s zack & luc | Introduction & Interview by Michael V. Smith
• Michael V. Smith’s Wolf Lake by R. W. Gray
• Vincent Haycock’s What Kind of Man by R. W. Gray
• Jon Dewar’s Hypothermia | Introduction & Interview by Matt Rogers
• Inga Birgisdóttir’s “Varúð” by R. W. Gray
• Scott Cudmore’s film for Wintersleep’s “Amerika” by Sophie Lavoie
• Ringan Ledwidge’s Film for Massive Attack’s Voodoo in My Blood by R. W. Gray
• R. W. Gray’s Aidos