Poems and images intertwine in Richard Jackson's "Soundings," a series of nature photographs juxtaposed with the superb poems they inspired, the photographs themselves iconic, metaphorical and mysterious. The human and the natural intersect at the level of form when the poet spies a dilapidated chair in the forest, a cluster of roots resembling tank traps. A bee becomes a soul and a gap between facing cliffs looks like, well, a gap and the gap is violent, a pile of shell casings. Images and poems project a moral grid onto the cluttered world, they compose a judgement and a puzzle.